Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
整体节奏保持住精彩，剧情上相对仓促了点。太纯爱了，无论从BGBL上来说。好嗑。
为什么他每一个地方都让你感觉到很努力在少年漫画了但是鸡皮疙瘩一点都起不来呢……
娜娜米 负责的成年人
queerbaiting 鄙视之 我愿者上钩了 鄙视自己
骨子哥喊出“我们是纯爱”的时候整个电影院都绷不住了
国内资源真的难等，看的录屏真的难受，rh事件意外的影响不大，看着也不至于太有负担。至于电影本身，我只能说作为剧场版远远优于某无限列车（当然不是指制作方面，这个方面只有海贼王会且能摆烂），不过里头EVA的味儿太冲，有端联想反而膈应，故事只能说普通（更TV还有漫画持平吧，严格点说可以归入俗套吧，毕竟完全没有出人意料的东西），可惜里香塑造失败，有点下头。
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不懂为毛要给五条老师的唇膏那么多特写（。
不怎么好看…… 为了适应全球市场做了改编吧，配乐也比较一般😀
你们纯爱了不起啊？恩...可能，确实...
没想到纯爱战神是literally的纯爱，养一个特级咒灵真的很拉风
90分钟观感其实还不错，但仔细一想细思极恐。一个女孩子和一个男孩子相遇，11岁主动白给求婚跟他绑定自己的人生，然后6年之内彻底沦为男性的附属物，之后解脱竟是因为男性要自我牺牲，还说出“这六年比活着更开心”这种话。不知道漫画怎么样，但剧场版我看到的就是一个彻头彻尾的物化女孩，完全嗑不起来。
沒看過動畫/漫畫也能看懂，裡面也有多加了粉絲向畫面，好幾個高人氣角色都有出來晃個幾眼。
热血一晚上了。所以第二季什么时候出，等不下来了
感觉mappa真的不擅长处理情感，微表情、人物情绪的铺垫与转折，总是时好时不好。
纯爱战神帅啊2333mappa打戏做得真不错。就是说悟和杰真是意难平T_T漫画好像没有两个人的回忆来着，电影居然把那个街道分别的镜头插入了（爆哭
娜娜米 负责的成年人
我真是 想去冲到日本看了……结果在芝加哥看到了555555。不愧是纯爱战神。娜娜明出场的时候我差点叫出声来。节奏甚至比动画版好。唯一遗憾没看到5t5领域展开。爱了爱了。最后问一句 5t5 你唇膏哪里买的。
为他与她和他与他的爱情流泪😭在大荧幕看好值得！我也不知道为什么我的热泪就这么流了下来🥲🥲 @mk2 bibliothèque
奔着五条和最后五夏两人告别看的，有再次被夏油杰帅到。整体感觉跟剧版水准差不多，打斗戏很爽，内容比漫画丰富了不少。
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