The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
关于 covid 和 wfh 的一些设定太投机取巧了,后面的正面冲突像是儿戏
咦,是我挺喜欢的调调。而且时长也刚好,现在很多电影太长了。。。
节奏慢到睡着 一个录音重复放八遍 死肥宅小丑竟是我 hey siri
故事设计的还不错,又是一部讲智能恐惧的故事。虽然语音助手开了个头,但对于整个故事作用并不大。智能带来的便利不只是对自己,对别人也一样。结尾虽然射的挺爽,但有点不要逻辑了。宅男是真的惨。
社恐小姐姐出门一趟之后治好了自己的心理疾病,厉害
Another Covid and social media +AI inspired psychological thrilled film.
这些词语,都不能用来形容这部《KIMI》。索德伯格确实是悬念制造的高手,可是现在怎么也这么擅长注水了?整部电影一个半小时,前半个小时都是索然无味的交代与铺垫,电影演了一半女主才出门,结尾当然是毫无悬念的happy ending,几乎就没有什么是出乎意料的。悬念,更是不存在的。整部电影的情节也很牵强,但凡女主想起来打个911这电影都拍不了这么长的时间。导演的视听语言非常成熟,对于疫情时代的日常生活的还原也比较贴近现实,但是这救不了这个乏善可陈的剧本。
全程三倍速毫不违和,索德伯格堕落至此。(走路,慌乱可参考)
zoe is completely my type of bitch's look
我竟然不脸盲了,帅黑警总感觉像帅了的张颂文
不欢而散
无聊的片子,就不去比较情节与演技哪个更差了。
前面好长 好不容易看到钱女主反杀…就那么几分钟…然后没了 有点失望
索德伯格的covid时代后窗。小片很见功力。
故事短小精悍 层次分明 不错的影视小品
后半程情节十分紧凑 逻辑交代上差了点 但看克罗维兹完成反杀很带感
偷窥者
简单的总结,就是一个程序员,在杀了人之后, 终于克服了社交恐惧症,从而过上了正常而幸福的生活
杀手无用,宅男也太工具人了,剧情属实过于平淡,最后的反杀也很无聊
还是很有疫情背景特色,居家程序员+后窗+黑科技+小惊悚的结合,女主最后的反杀干脆利落,很爽,但缺些back ground story 、好在电影时长短小精悍、合适!
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