The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
平平静静的…然后爆发一场恶战,就这么打破了平静
当代电影太需要回归这种朴实无华风了,哪怕有剧情瑕疵,它也是个正经电影啊!
窝囊老农是个狠角色,剧情略显拖沓,几个罪犯还是不够狠啊。
非常硬派的西部片,一个男人,守护他的孩子、领地和些许正义,结局太伤了
快意恩仇的江湖又回来了。在蛮荒的时代,弱肉强食,当决定放下屠刀重新作人,在那荒野深处,可谁知,一次的恻隐之心,却又把自己拉回到江湖,如果一直凶残下去,会如何?江湖中闻风丧胆?拯救自己,和拯救他人,在蛮荒的江湖,有时候就是生死的抉择。好久没看过这么这么爽快的片子了!
黑警柯里与萨姆匪徒一起合伙打劫银行,萨姆欲杀柯里灭口时,柯里抢走了钱袋……
正宗老式西部片的调子,传奇人物比利小子演义后传,犹如《水浒传》之阮小七被演绎成《打渔杀家》之萧恩。
故事简单老套了一点,不拖沓,浓郁的西部风情是我喜欢的。摄影不错但也可能是风景本身太美的原因。
it's a place I don't belong no more
依旧保持西部片的精神内核,只是结局隐喻着西部片没落的现实,而这种现实大概起于三十年之前。
这时候冷不丁杀出一个大隐于山的邋遢老农用着颇具年代感的左轮大干特干
好喜欢,很久没看这么有感觉的西部片了,片尾曲很好听
bug多。题材无感。
4星。很酷,在父亲节和父母一起看的父亲的电影
Billy the Kid不是哪个被枪击的倒霉孩子,而是美国拓荒史上的一个传奇人物。亦侠亦匪,且枪法极快。
后现代西部片,细腻、苍凉。比利小子依然神一般存在。
继《正义的仁慈》后,蒂姆·布雷克·尼尔森再度演技炸裂
作品很西部,比较复古,确实在流行炫技立新的当下,这样的作品并不多见。
每一句台词都是恰到好处,不多不少,节奏也很棒, 蒂姆·布雷克·尼尔森的演技太好
全篇就一场戏。。。有点漫长
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