"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
就是冲妈妈的颜值看的，算是唯一剩下的哥特风格了，墨西哥造型太好看了
很不亚当斯很幼稚的剧情，Wednesday和妈妈很酷很优雅以外，别的都是啥呀
比第一部还不行，搞笑也不搞笑，梗也不多，逻辑么就看个乐。
东木年纪越大，电影中渴望温情和解的情节越来越多了，纵然如此，只要他还拍电影就好。
科学家用“抱错女儿”的理由得到Wednesday，亚当斯一家怀疑但只是拼命躲开科学家，有点牵强。
我们看着他变得迟缓 笨拙
动画电影版《亚当斯一家》将拍续集。这部黑暗哥特喜剧刚在北美上映，票房上佳(首周4天3500万美元)，米高梅/联美发行公司趁热宣布：《亚当斯一家2》正式定档2021年10月22日北美上映。
合家欢电影，人物刻画更多的吃设定。没看过前作的话不太友好，会一头雾水。不过，作为轻松愉快的电影观看体验还算及格。
dear dear Wednesday😂看的还是蛮快乐，喜欢这个风格
在验DNA时没有怀疑过它的真假性，也没有与父母当面对质，完全不是星期三的作风。
Fancy this kind of bonding.
这剧本像是外行人用脚写的 而且这低幼画风完全不配亚当斯一家！！！
主角就算不是亚当斯一家也行的通的普通动画电影
东木一如既往的稳，整体看完就是扎实，有事就找老牛仔，啥事都是搞定，怪不得女人都想睡他。也不知道这是不是老爷子最后一部，反正导演椅就是他最好的归宿。
没想到这竟然还会拍2，没想到2的剧情比1弱智这么多😐
其实感觉比第一部好些，不过第一部啥样早忘了。
老头超过九十岁了吧？做导演功力还在，做演员真替他捏把汗！
两星半 片方看星期三人气高给做的吧 但是感觉把握不住人设
亚当斯一家‖暗黑搞笑一家人，请再来100集
90岁的东木依然活跃在一线，当然在表演上已明显有点力不从心了，不要说动作戏，就连行动看着也有点吃力，但这种热爱电影的敬业精神确实值得敬佩；还是一个英雄迟暮的故事，再加上“父子”间相互救赎的情感内核，当了一辈子英雄，拍了一辈子类型，东木再次玩起反类型，反高潮，仿佛所有的危险都存在于想象中，或是非常轻松便解决，就连最后的所谓搏斗也只像走过场，而重点在于刻画人物关系，非血缘但却胜过亲情，亦师亦友的两人，还有一条看似平淡但同时也非常温情的爱情线；他不再是英雄，不需要自我牺牲，而是非常温柔地给了自己一个圆满的结局。7
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