The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
被劫掠被请求被诱惑
最后一秒幡然醒悟的怂逼蜕变记。大卫·洛维虽然炫技过头，但影像仍值得反复揣摩回味。
措不及防的主旋律电影，还升华到有色人种问题～
这片得在影院看 音效太棒了 故事改编的也蛮好 很喜欢片尾部分future flash的音画处理
3.7分。
好古怪但令人忍不住多看几眼，这个故事如果用“正统”拍法反而没什么看头。
I shouldn’t have watched it as a grown man which i was so sorry about that, but we are not live in a fairytale by now.
可能我不太懂这种流派…
告别死者，告诉故人，告别的同时也有反思与怀念，反思过去，反思历史，反思将来。黑白与色彩，各种历史视频、影片资料的交叉融入再现解构之妙，结尾段落令人动容，也深含反思殖民的意味。
这个世界充满了奥秘，我们只是身着绿衣的骑士，去追寻一种“荣耀”的理想生活
8/10.
虽然巨大，可爱程度也成正比，好想养一只大狗狗。
绝美的画面和天籁之音给怪诞诡谲、不知所云的故事增色不少
男人之间的勇敢者游戏。虽然保持了 Lowery 鬼魅游离慢悠悠的风格，但这个高文爵士塑造的真是一言难尽，后半段 Joel 出现时才开始进入正常状态。
骑士踏遍数字特效合成的荒原，群演再次穿起化妆部门出租的奇装。二十一世纪电影不再是物资贫乏的艺术，却总有人实践着那套早已被奇幻剧集掠夺而走的形象。不全是导演的问题，过时的东西总是乔装成时髦的模样。
一个“迪士尼公主”，披了一层“聊斋皮”，喷上“A24香水”。难受。
仿佛做了俩小时的法，满是晦涩难懂的隐喻，尾声让人豁然开朗一些。对骑士精神的试炼，“Now little knight, off with your head” 妙啊。ps：A24气质到位，艺术感太强了，摄影配乐真绝，Dev还是很稳。放映前羊崽的预告真吸引人。
Bravo！
骨灰、棺材、坟墓，死亡是主题。沉重的历史缅怀＞盖过了这部电影本身。
I shouldn’t have watched it as a grown man which i was so sorry about that, but we are not live in a fairytale by now.
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