With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
毁灭啥都无所谓，只要找到女儿。母爱是伟大，但这有点太偏激了吧？
无语的战争片……又是6人拯救世界，又是母性战胜一切。各种纠结
初中习作水平的剧本和台词，演技拉跨的男女主，却能请来大牌影星配戏。莫非这片是娃娃脸女主的某个俄罗斯糖爹投的？
艳遇要留神，有可能是圈套，谋财害命。除了女主的颜，没什么可看的。
也算是终于有人把勒古恩《黑暗的左手》里的冰原大逃亡实际拍出来了。【因此这个创意并不新哦各位。同样地，结尾也确实收得过于潦草。就想说北欧导演你追求极简风格，但立意的落实不能太极简吧？
机关算尽太聪明，反误了卿卿性命。俄罗斯女麻豆演员是亮点。
“结束战争”的唯一方法是自杀小队带着“神秘武器”滑冰到奥德，一行六人最后只剩下两人，途中发现是生化武器，为了阻止生化武器的研制、使用，女主带着样本自杀，全片以女儿贯穿了女主的信念。挺不错的。倾覆的救生艇周围，各种姿势冻死的人与冰面融为一体、年轻狙击手的口述，无不展现了战争的残忍
套路就是美国的《恐怖鸡》，但气氛演技都远不如，唯一加分的就是女主的颜值身材。
实在无趣，连女主的个人展示也一样。最不解的是马尔科维奇为何跑这部片场来看看望远镜然后当剁馅肉菜
既然是战争题材，那为什么而战或者为什么反战至少总得说清楚一个吧，否则还有些什么呢？火爆的战争场面？北欧的冰雪风光？然而也都没有，最后只剩一堆毫无逻辑的笑话。唉，北欧这些高度发达国家现在连拍片都这么精分了吗？
不晓得我看懂没：一对美国小情侣在别国出车祸，女票死了，美国男还陷入到一场美国策划的分裂他国的政治阴谋中，一场希腊版追捕上演的故事
半年前在b站看的预告，大概了解了故事的结构框架，所以即便看的半生肉版本，也能很好的理解剧情。故事风格很像从前基努拍的那部敲敲门，养眼的俊男美女，闹剧闹着闹着就变真的来玩了。和敲敲门结局的反转不同，这部最后中规中矩邪不胜正的结局，以及1/3进度就把整个故事的套路和阴谋点破的情节多少让后一小时的剧情显得有些平白无奇了。
其实还不错，不过做为安保级别的房子也太差了，一块石头就打破玻璃，这？？？？女一真美啊，身材也一流！！女二是安娜女主，真担心她随便搞定2反派！最后女主为什么杀了反派2，难道想单飞？？？
故事蛮偏门的，但最后也没圆回来。就很可惜。最可惜的是演员们贼卖力，越卖力就越可惜。
小成本战争片，网飞经典套路，不过这部的剧情真的太常见了，总之我看睡着了。。。
抄袭恐怖鸡，社会深度又跟不上，啥时候我中国文化这么有优越性了？
没有具体故事背景的构建很难让人代入其中分析角色心理或情节逻辑。整体一般，像喝了一杯白开水一样没感觉。
后面女主那么多大动作最后查起来怎么可能脱的了身
1.末世气氛呈现的相当不错，失落的城市，破败的堡垒，废弃的邮轮等
“结束战争”的唯一方法是自杀小队带着“神秘武器”滑冰到奥德，一行六人最后只剩下两人，途中发现是生化武器，为了阻止生化武器的研制、使用，女主带着样本自杀，全片以女儿贯穿了女主的信念。挺不错的。倾覆的救生艇周围，各种姿势冻死的人与冰面融为一体、年轻狙击手的口述，无不展现了战争的残忍
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