Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
合格爆米花电影，一路爽到底，就是动作设计不够～
很多喜欢的情节被删了，但是月初变年轻了，要是没有删那些情节会更好
失去独特地域文化色彩的寻宝终究只是平庸的样板戏。
玩过1-4的老粉表示，虽然是改编电影，但我看的老开心了。荷兰弟情绪有时候尴尬，寻宝过程有时候挺蠢，但是感觉有努力尊重游戏。插科打诨的精髓有抓到，几个名场面有出现。虽然名场面被改编，但是改编的我还挺喜欢，尤其海盗船。Drake踩哪哪塌，去哪毁哪的精髓也还在。还有些粉丝向小福利：比如年少小演员找的还挺像。比如Nathan找到了装枪的背心一穿上，配上游戏音乐，老粉激动的差点站起来。
真的栓Q了 这画风什么玩意啊 感觉人物都变得好猥琐 又好尴尬 咱就是说 能不能换回之前的公司 真的弃了 打算直接去看漫画了
三星半，除了有些剧情设计的不太合理，但是节奏蛮好的，松弛有度
仿佛又回到了好莱坞黄金年代，两个白人帅哥是主角，黑人女也可以当反派，ZZZQ都滚蛋，剧情虽然扯淡但好看啊！
确实挺水的，但不知道为什么马沃和谁拌嘴我都能笑
这是应该听到爱情瞬间的时刻，因为我们在彼此的眼睛里看到了故乡
想到每次做节目方案必用的套路：全球首个大型亲情观察类密室逃脱海盗主题动作秀，只要定语够长就不怕广告法！花里胡哨的屎又来啦？
很好看 看了好多年 希望电视剧不要毁了我的动漫
作为PS独占游戏，神海系列一直和古墓系列不相上下，但作为游改电影，和古墓丽影都会存在一个魔改过程，中规中矩，期待下一部续集。
画风不太适应，开蓝光这个画质还是怪怪的，脸型总感觉有点日式漫画的感觉，希望以后可以尽量保持原来创作团队的画风进行
对于观片量少的观众来说这部影片真的是很爽，很大制作，大场面了。夺宝题材一直是我的心头爱，但随着时代的发展，天外地下都已经被科学揭秘的差不多了，世界对于人来说不再是一个充满未知的领域，所以在地球探险多少有些尴尬。相比之下，像《头号玩家》和《失控玩家》那样，在一个全新的未知虚拟世界探险，还相比更让人信服。影片最让我兴奋的点在于SONY和PlayStation的片头，太难得了！冲这个，我想看续集，我也愿意支持主机游戏改编的电影。
看看围孩子这是你的功劳
窃宝，解谜，机关，计斗，怎么说，感觉都差了一口气，导致整体平庸，场景和动作设计，也就开头惊艳了一下，演员之间也没有火花。
无功无过，看着挺舒服的爆米花电影。略期待第二部，同时不知还能不能再见国家宝藏系列
情节太草率了 但是大帆船在天上飞实在是浪漫🌹🌹🌹
还好 ，就是觉得有点尴尬 ，但是呢个人有个人所喜欢的一些剧情吧，总之整体来说不咋样 。
感觉荷兰弟的戏路会被限制在“无法恋爱的鲜肉”上。连蜘蛛侠里的cp我都嗑不动
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