Abandoned by his father at the age of five and raised in near isolation by a loving, yet emotionally unstable and over-protective mother, the only life Peel Munter has ever known is within the confines of his childhood home. Upon his mother's unexpected death, 30-year-old Peel is left lost and utterly alone. With no job, family, or friends, he must make a choice; live as his mother did, lonely and unsettled, or change the course of his impending fate by breaking out into the unknown, facing the trials and tribulations of an outside world he doesn't understand. Unable to make the house payments, Peel decides to take in a couple of drifters as roommates. After forging what seems to be a burgeoning new family and brotherhood, one of the roommates betrays Peel's trust, compelling Peel to venture out in search of his long-lost, real brothers who had been taken away from him decades ago. Along the way, Peel's lack of cynicism and innocence has an inadvertent, yet powerful effect on those he meets, as he brings a group of marginalized misfits closer to their true home.
谢谢你陪我一起面对，i will remind u all the time
中文电影名真的很迷，干脆叫扭计外甥大战新手舅父啦(-ι_- )
一个简单的故事，喜欢这个表达。多一颗星给BGM。
找寻丢失的、丰富的孩子 雨中离开前往机场的车
A24啊。四星半。Again，同Scenes from a marriage理，细水长流最考验表演，表演挺好。因为主题的原因，声音转场处理得都很好。The things you never wished for happens. So you just come on, come on, and come on.
非典型类型片，菲尼克斯像是一个爱告状的大男孩，总是告小男孩的状，哈哈哈
中文电影名真的很迷，干脆叫扭计外甥大战新手舅父啦(-ι_- )
一部关于倾听、领会、回馈、倾诉的电影。黑白、低锐度的表象引向纷呈的内心色彩。用相互的凝视获得自我了解，当对方是孩子时，更能帮你打开茧缚。影像的钝感看得有点累，沟通不是轻松事。
I lay myself down and cried
it's ok you are not fine。如果这部纪录片真的拍出来了我一定会看的，提问真的很有意思。8/10
还挺喜欢处理冲突记忆的镜头，把声音抹去，覆盖上当下的平静的叙述声音，再把镜头慢慢拉近拉远，像极了我自己跟回忆和解的方式。
“爸爸去哪儿”大电影可以参照这个来拍啊——“舅舅去哪儿”，稍微有些滥情了。曾经大叔与萝莉的时代已经不复返了，现在开始关注大叔与正太的故事。也许是因为社会在重新思考男性在家庭中的位置，与应当承担的责任。小男孩的父亲缺位，于是舅舅来补足。我们总不认真听小孩子说的话，其实我们才是那个blablabla满嘴废话的人。
也是有一种庆幸，起码活在一个可以有一定自由而必定安全的环境中，剩下的学习和反思部分，就是自由、自信、沉稳表达的那部分。
下一站要去新奥尔良。后知后觉这是Landmarks Embarcadero permanently closed之前的最后一部。
看之前我觉得会是通过照顾孩子，两个人都打开了心结，完成了自我救赎的那种电影，看完后发现并不是，无论是大人还是孩子都应该像被采访的孩子一样，把想表达的说出来，怀有一个美好的希望，并正视困难的存在。电影的基调你说平淡吧也有爆发点，你说浓烈吧在黑白配色下很难感受到，至于华金菲尼克斯演技根本不用质疑，极其松弛的就完成了这个角色，A24的片子太挑观众了
非常自由且真诚的叙事，一切都建立在人与人之间朴素的连结之上。安魂曲用的很妙。看得想我的外甥
8/10
轻柔、细腻的触感中生出一丝余韵，但也就仅此而已了，深沉的黑白影调也掩盖不了内核的空洞乏味。
很温柔 细细述说地电影/如果有时间 就真诚跟little wired person 说说话吧 他真诚又热情又古怪/我们跟世界的关系 come on come on blah blah blah or cmon cmon 我来到世界很久 希望跟世界关系变好
一种私人电影的感受，叔叔对侄子的爱我才是深有体会，猫要是成精了就该差不多侄子这样吧（又黏人又聒噪又精力充沛又可爱……还能咋呀😤打破杯子这种小事，反省下来自然是应该买个猫爬架给它）小孩子在长大之前不要成年，享受海浪和风，保有性情，对一切纤细的感受力，维护人性的天真，不要把世界让给“成年人”，他们不美。
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