Chapman and Maclain Way’s energetic telling of one of baseball’s great, unheralded stories is as much about independent spirit as it is about the game. When Portland, Oregon, lost its longtime minor-league affiliate, Bing Russell—who briefly played ball professionally before enjoying a successful Hollywood acting career—bought the territory and formed a single-A team to operate outside the confines of major-league baseball. When they took the field in 1973, the Mavericks—the only independent team in America—started with two strikes against them. What did Deputy Clem from Bonanza know about baseball? Or Portland, for that matter? The only thing uniting his players, recruited at open tryouts, was that no other team wanted them. Skeptics agreed that it could never work.
But Bing understood a ballplayer’s dreams, and he understood an audience. His quirky, unkempt castoffs won games, and they won fans, shattering minor-league attendance records. Their spirit was contagious, and during their short reign, the Mavericks—a restaurant owner turned manager, left-handed catcher, and blackballed pitcher among them—brought independence back to baseball and embodied what it was all about: the love of the game.
- J.N.
就为了一镜到底而制造了小空间里的一系列冲突，有点太细碎了
啊啊啊！！！导演好会拍！！演员好会演！！故事好美好！！我好爱！！！
挺好 不过圣诞季去餐厅不是遭罪吗 @Netflix w/ N
哈哈，黑色幽默有两下子，不同于一般的法国喜剧，通过事情的发展引人发笑，对极端行为进行讽刺。
全程 waiter 视角体会餐厅里蔓延的焦虑，除了视角之外没什么可讲的……
8.1 “But the epidemic happened. No you happened.” To Gav. To Cai. To me.
生活很艰难，很压抑，工作内容又太多太杂太碎，很轻易就能把一个人压垮。
演员演技优秀，情绪真实细腻动人，剧情再丰富一点就更好了
拍得很唯美，让人觉得很温柔，无论哪一种爱都是热烈且珍贵的
年龄大了看这种甜甜的恋爱一点感觉都没有
8.1 “But the epidemic happened. No you happened.” To Gav. To Cai. To me.
粉丝向大电影。强行冲突没必要，“宝贝”听到我生理不适。明明居家隔离结果屋檐下的人越来越多，这是隔离了个寂寞啊...（嗯，好歹把最重要的事给办了
#bfi 时间久了就感觉自己也和他们一起穿梭于厨房和就餐区之间
“学黄秋生”......字幕组，我们出来聊聊
一镜到底，问题接踵而至，直到沸点/介于Hell’s Kitchen（真人秀的紧凑drama）和现实（长时间的问题堆积）之间
#LFF21 第24场 机关枪似的台词输出，真的很让人崩溃（线上伦影还没有字幕太考验我的英文了），但是正如片名，剑拔弩张的沸点，多一点都是爆发。
一群疯子吧…… 这是什么破工作环境，还不快辞职？
对极端素食主义的一场血腥幽默。寻找伊朗猪的过程像极了伊坂幸太郎《不然你搬去火星啊》里面的钓鱼套路，哪里有主义，哪里有目标——一切主义都架构在经济利益的基础上。
每个人物出场观众便知他们身上埋着什么样的伏笔，没完没了的长镜头在糟糕的冲突设计面前只是进一步突出了电影本身的黔驴技穷而已。
原来一桌难求的高级餐馆的后厨是这么紧张又难熬。有点晃动的长镜头带来极强的沉浸画面感，时而模糊着光晕的画面也还原了餐馆昏暗灯光下的视觉效果，就是一个半小时看下来有点眼晕。😂
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