Acclaimed British actor Christopher Eccleston (The Leftovers, Thor: The Dark World) will be joined by Marsha Thomason (White Collar) and Paterson Joseph (The Leftovers, Law & Order: UK) in a new four-part drama series Safe House from Eleventh Hour Films. Safe House is a tense thriller set in the beautiful wilderness of the Lake District. The cast will also include Jason Merrells (Emmerdale, Waterloo Road), Nicola Stephenson (All At Sea, Holby City), and Peter Ferdinando (Doctor Who, A Field in England) and is set to commence filming today; Monday 6th October. The 4-part drama tells the story of a married couple: Robert (Christopher Eccleston) a former detective and Katy (Marsha Thomason) a teacher who are asked by close friend and police officer Mark (Paterson Joseph), to turn their remote Guest House into a Safe House. Their first ‘guests’ at the Safe House, are a family in fear of their lives after they are violently attacked by someone who claims to know them. For Robert protecting the family resurrects fears and anxieties bound up in a terrifying night eighteen months ago - where he was protecting a star witness who was about to testify against her gangland husband. Unexpectedly, he was shot, and she was killed. As a consequence of running the Safe House, Robert re-questions this incident and uncovers a web of lies. Inspired by a real couple, Safe House is a distinctive character-driven drama created and written by Michael Crompton (Kidnap & Ransom, Carrie’s War), and directed by award-winning Marc Evans (Hinterland, Collision) and produced by Andrew Benson (Strikeback, Mad Dogs). It is being developed by Eleventh Hour Films’ Paula Cuddy, who is also an Executive Producer, alongside Jill Green. Safe House is potentially a returnable series for ITV and Eleventh Hour Films and was commissioned by ITV’s Director of Drama, Steve November and Controller of Drama, Victoria Fea. “We're delighted to commission Safe House from Jill Green and Eleventh Hour Films. It's a compelling four-part drama from Michael Crompton with great characters and genuine twists which keep you guessing right to the end.” Jill Green (Foyle’s War, Collision, The American) said: “ This brilliant idea for a psychological thriller has attracted a strong cast – and will keep viewers gripped.”
嗜酒成性的英国老奶奶和不社交的孙子。两者把对方推进新鲜事物 故事片
新西兰的环境点赞，还领略了毛利人的风俗
奶奶的到来，和孙子间先是冲突，正所谓“不打不相识”，慢慢地坚冰开始融化，最后祖孙不仅和解，就连父子和母子都和解了。
似乎没啥深度，过来人明白年轻人的空白，年轻人却未必认可。
评分偏低。酷奶奶和孙子的互动很感人，互为对方的情感补偿。
所以就随便写写。整体是一部让你看的下去，不会跑神的电影，大概3.8分吧。
七分吧。男女主角少年感真好。人生是一场漫长的寄宿生活。珍惜当前的一切。可以看。
安静克制不煽情的祖孙情，片内每个人都那么温暖，新西兰的男孩淳朴阳光，他的好友们也可爱良善。老太太年轻时酷帅走天涯，年老时是个有钱优雅老太太，能有一个这么好的护士尽心尽力照顾，而最后在自己最爱的日出的旷野里，在相互温柔以待的家人们和护士的环绕中安详离世，真，幸福。。。新西兰的山野天高地远辽阔峻美。。。
4果然，是我杀了我。自私 叛逆 忽视身边的爱
终极目标了
不过不失的死人纯爱，樱花一样终将凋零的恋情，虽然老套，但男主后知后觉意识到错过的戏还是让我爆哭了。岛的演技有进步，除了第一场哭喊戏有尴住我一下，后面倒是渐入佳境了，反倒是松本穗香演小太阳人设，不知道为什么演出了一股间歇性抽风的味道，前半段浮夸的开朗模样实在让人难以忍受，得病后到是真诚不少。不过比起男女主之间的情感，兄嫂对女主的关怀刻画得更细腻一些，樱井yuki和b太演得也更动人。
整体都还不错哎，长尾也适合这种角色，不过厉害还是望月步厉害。
其实还是很不错的，没想到结局啊，最主要的是男主好可爱!男主的哥哥也好让人有安全感!
整部影片里没有以往日剧里那种细节的温情，反而有了很浓的矫情和极强的割裂感。
剧情真的很平。不过，夏洛特兰普林很美，优雅犀利的老太。
《借来的100天》改编自小说《彩色缤纷》，日本曾经拍过动画片，而泰国曾率先拍过电影。日本和泰国的电影都很好看，只是日本版更阳光一些。
get不到松本穗香，中岛老师这部总算比之前的资源靠谱点了，至少作品完成度蛮高，演技也有可圈可点之处，然而还是挺没劲的，啥时候能演个好作品啊
我想说这是一部关于“生命力”的电影。不可回逆的身体的老去，依然有机会展现自己年轻的心态。
看了一天的烂片了，终于一天的最后一部不是烂片了。一部有点悲伤的喜剧片。
虽然谈不上新意，但这样甜蜜、哀伤和幸福的爱情故事总有动人心弦之处。
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