The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.
The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.
Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.
The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.
It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.
"Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.
Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.
This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
很有梗很好玩！！是会让人开心的电影～小鸡仔小黄人太可爱了
我宣布，Otto取代了我心中Bob的地位成为我最喜欢的小黄人了~~~蹬小车追摩托那段我简直笑到扔手机~~
学功夫那条线很无聊，还不如就放小黄人卖萌
片头曲是中文的确实有些惊喜 参杂了一些中国元素可惜国内还是不能上映 有些片段还是挺搞笑的
靠卖萌过日子的作品，这一部还不错，一半明媚一半胡扯——七八十年代的美国嬉皮士风格是制作方面比较擅长的，所以用得纯熟和精准，但是唐人街的中国元素还是一股子舶来品的似是而非，制作方还是没有抓住中国文化的精髓，还是迎合美国观众的意淫在展示唐人街中国风，虽然算不上文化歧视和羞辱，但是中国观众看着肯定有不舒服的地方。
就算今年美国电影里不是西语元素就是中国元素，可是从来就没喜欢过小黄人电影系列，照旧不喜欢。
比第一部好笑很多，猫鼠游戏的梗，有很多中国元素
好久没看过这么烂的电影了，用脚写的剧本都比这部好，全片毫无逻辑，剧情尴尬。刚开始还觉得小黄人还是一如既往的可爱，但后面同样的包袱不停的出现，我是真的笑不出来了。
I'm just too old to watch this...
太幼向了，吵得我耳朵疼，而且这部电影真的不会被天主教徒起诉吗？？
878 每到小黄人的部分，都会在电影院里和其他观众一起笑作一团。合格的爆米花电影，但是花1900特地去电影院看有点儿不值😂
感觉是春节档的作品强行压到暑假了…可爱是挺可爱，有的地方也很好笑，但从变身开始…全场男女老少华人洋人全给干沉默了。直接变成，“啊？”无可啊…算了算了
看的时候很开心，看完其实也不记得讲了啥，但是！这有什么关系呢～看的时候开心就够了呀！多可爱！
和女友首次的映画館デート选了两个人都喜欢且愿意在影院看的片 祇園祭喧闹后的疲惫在坐到椅子上时差点睡着 但一下就被开场的中国元素给笑醒 然后顺利看完 感想就是作为前传故事完整 看到梗和元素出现那么多有点开心但又觉得可惜 固有印象太深了 不管看几次 还是觉得小黄人就是最可爱的！可爱=正义 最后！我真的好想去隔壁USJ啊！！！
片头就是中文歌，小黄人学中国功夫，十二生肖大战，中华元素还挺多，此片真的很适合暑期档，快多搞点电影拯救一下院线吧，不然真的就垮了。
中国功夫太强了哈哈哈哈！水汪汪的大眼睛谁不爱呢！所以“大眼萌”是这样来的嘛哈哈哈
预告片看了很多很多遍以至于感觉整个被剧透了
时隔5年，能再看到小黄人们，我还能奢望什么呢？并且！为什么没有马！！！
萌死 和泛滥的装逼片放在一起对比才发现治愈系作品是不可缺的
@Scotiabank Theatre 不过不失也没什么亮点，当然小黄人电影我们也不一定需要期待别的！萌就行了。片长很短，中式元素多归多但基本都是草草堆砌，也没有第一部对历史梗的黑色幽默改编，倒像是美西/旧金山风光片，可能最大的惊喜是杨紫琼，第二大的惊喜是结尾配了一段滚石做主题曲，别的，嗯嗯。
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