The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
历史上很多悲剧都是来自于淘金热。比如《泰坦尼克号》?
无脑的逻辑和乏善可陈的动作场面,加上苍老的派恩,满满的无聊
整个过程看了力不从心,对话较多,老套的剧本精彩不足
整体设定依旧是蛮套式的,但克里斯派恩演的不流俗,私人情感表现有点谍影重重2的意思。
There Will Be Blood + The Revenant
还是太贪了,拿一小坨走不好嘛,非要赔上性命。结局看到老头子死了就放心了。
扎克•埃夫隆为了摆脱花瓶形象的转型之作,不知道是不是量身打造的剧本。前半程不错 还弄不清虚实,后半程演得有点弱智和编得越来越刻意了。两个配角纯纯的工具人,全为了衬托扎克的独角戏和为结局打圆场。悬疑保持的不错,可以一看的片子。
故事挺老套,但是单兵作战技能挺好看。美国佬还是那个屌德行,为了钱都能自相残杀。
平淡了,不过妆画的可以,同样是拍寓言式关于金子的故事,可以学学科恩兄弟巴斯特·斯克鲁格斯的歌谣里那个淘金老人的故事,故事也简单,但趣味十足
最后本福斯特演的角色,要是不死,就完美了,为了兄弟,与老板决裂,6分
克里斯派恩貌似兔唇的样子给人的印象倒是深刻,但剧情就是这样。
还是可以的,大量的独角戏但并不让人觉得无聊。故事简单,演技也都在线!
灰灰色畫面⋯很棒👍
whaaaaat看完才发现居然是扎克埃夫隆
老话说“有财最怕同路人”,尤其实在这个末日荒土的背景之下,法律早已失效,也许男主最正确的选择就是一开始就杀死司机。
铺垫太长,看完还是云里雾里。全员大情种,为了自己的家庭破坏别人的家庭——这不会就叫男人的担当吧?xs
我觉得挺好看!分数偏低了。不过男主的智商确实太低了
为了撑满90分钟确实很努力,但是因为太刻意导致没玩出花(这种独角戏真的至今无出《活埋》其右
孤身一人在荒漠守候金子,整个过程像一种修行。与象征现实与引路人短暂分别,然后与来自沙漠的神秘女人相遇,自我、外部世界、自然的神性相互纠缠,最后世俗的结局短促而有力地闯入,仿佛当头棒喝轰碎纠缠的精神困境,也终结了苦难的肉身。
我们都会遇到生活的困境,或者有时候选择就是一个无知的未来!
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