The story of La Maison revolves around 27-year-old Emma, a French woman who heads off to live in Berlin and decides to spend some time in a brothel so as to learn about and understand sex workers – women who are paid to be women and that alone, and who are set to form the focus of her new novel. In gonzo journalism style, Emma becomes one of them and ultimately remains with them for two years, despite only intending to stay for several weeks. Was writing her book simply a pretext for Emma to live out the type of fantasy that’s hard to admit to in our society? From one bedchamber to another and from one woman to the next, the film guides us through a “forbidden” world.
剧本和剪辑确实漂亮。通过庭审过程中的不断闪回，逐步勾勒了和平抗议如何变成了暴力冲突，没有浪费笔墨在还原冲突本身上。
幸运的是，他们没有被判刑。“七君子”重获自由。
外国的月亮圆不圆也不好说，但是起码能把月亮给你看呀。
理想和灯塔常有，但成为灯塔的理想不常有。民主和理性常有，但理性的民主不常有。体制和进步常有，但体制的进步不常有。
历史总是会自动重演。但有些时候，没有目击者。
期待哪位大神把红空拍出来，让我们一起重温2019。
I have never been on trial for my thoughts before.
TV982-985「红色的修学旅行」鲜红篇&恋红篇。我能嗑一辈子新兰😭
赢家也从未是他//
顶到脑门儿的压迫感，句句申辩刻入灵魂。最令人惋惜的是电影的结尾，当观众不如角色般坦然面对获刑时，一反整部电影冷峻压抑的风格来了场热血狂欢，过于突然。对小雀斑的表演不是很满意，但这可能是由于戏骨聚众的关系。
"That's right, we're not goin' to jail because of what we did, we're goin' to jail because of who we are!"
The whole world is watching.
21-179. 對話太多太密集…剪輯感覺有點亂，get不到
曾经我们看到的美国法院，是十二怒汉那样，12个人为了一位素不相识的小男孩在狭小的密室里推演辩论，最后男主角在昂扬积极的背景音乐中，满怀希望的走出法庭。那部电影里传达出来的美国精神和制度自信可见一斑。而在这部作品中的美国法庭，混乱无序，充满了偏见和愚昧。那种小人物在巨大的国家机器前的无奈与愤怒让身处大洋彼岸的我们都感到熟悉而陌生。那套公正的自由民主再也无法说服所有人了。
说到底是政治审判，改变了什么吗，好像也没有。
犀利的文本无法掩盖镜头语言的贫乏，导致说教变得刻意而令人难受
watching a mistrial gives me so much anxiety.
三星半吧。后半部分又开始瞎对付。小平同志说：要防止右，但主要是防止左。还要旗帜鲜明地反对资产阶级自由化。
"That's right, we're not goin' to jail because of what we did, we're goin' to jail because of who we are!"
求同存异，真的很美好
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