“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.
The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.
As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.
“Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
2.5 搞笑居多，李光洙真的太适合搞笑了 综艺挂，韩孝周憨憨的，综艺也是憨憨的
流畅的打斗看的肾上腺素飙升，公主造型让我想到《勇敢传说》，虽然全片抛不开女权的影子，但是还是想说好久没看这种快节奏的打斗爽片了，剧情基本没啥亮点，俗套的外表上有着冷兵器的交锋，勉强三星。
不晓得此片意义在哪，爽片？可是女主打得很累额压根爽不起来额。。。
看了半天就觉得女主眼熟，原来是韩孝珠。有点搞笑的是，韩孝珠变得像倪妮了，里面一个年轻男配特别像冯绍峰。李光洙好搞笑。
看之前的预期有多低，看后就会有多意外，妥妥的惊喜之作，你以为这是个类迪士尼公主片，结果公主在城堡里打了个通关，用各类武器和日常用品杀了四十多个敌人，真是出乎意料的精彩
反派强行下线…不过特效还不错，如果在影院看应该很爽
明明还算精彩的动作场面被剪辑的像啰嗦的电视剧，唯一有印象的就是大家齐心合力转舵的一小段
真替女主累啊，一路从penthouse打到一楼大厅。。。
大爽片，几乎无台词，无剧情，无男主。纯打。看久了未免有点累
我觉得这个公主的脾气不是一般的好，简直是本国第一高手，我觉得给他足够的时间才能把对手全部团灭。我还有一点就是故事里面对中国武术的固有印象好像还是没有能够跳脱
这片居然这么多人打三星！完全把男人当傻子了。
结果看了发现感官比我想象的好。首先动作设计比我预料的出色太多，打戏很连贯，没有太多切换镜头，而且给公主的动作设计基本上是靠身形灵活打败敌人而不是靠蛮力，所以可信度高了很多。
中世纪爽片，女主很多动作明显受成龙的功夫片影响，翻滚和跳跃比较多，太消耗体能了。
我觉得第二部比第一部好看，有《加勒比》的特效，有《海贼王》的情谊，有韩棒子的搞笑，还有男女主角的默契。韩孝周的气质更像个女海盗，动作设计也比第一部好。孙艺珍那张脸太精致，反倒不太符合女海盗的造型。两小时轻松欢乐，不知不觉就结束了！挺好看的片子。
前面剧情bug有点多，看到中间有点想弃，林出来后眼前一亮，打戏行云流水，简直帅晕我。前面女主回忆就是林教她武术的场景，我就在猜后面会不会是女主和师父联手大杀四方，后面果然是师徒并肩作战，救出了家人。希望能看到更多带给女主力量与信念的女性导师，女师女徒多来点！
一路开挂砍瓜切菜不掉血不掉蓝，游戏可以这么玩，电影不能这么拍啊
韩孝周这个好好看，即使在剧中是这种造型，我觉得对影片故事质量要求不是很高的还是值得一看的。
动作喜剧商业大片。打这么低的分是歧视韩国。
浪费韩孝周和姜河那的演员阵容。
Copyright © 2015-2023 All Rights Reserved
