Arkham, 1975: Jonathan Davis' father has disappeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but deep in the woods he discovers a dark mystery from the past. Based on H.P. Lovecraft's short novel "The Colour Out of Space".
brutashell review - 'Filmed in black and white and primarily spoken in German, it is obvious that Die Farbe did not have a huge budget to work with. Effects are minimal and the cast is utterly unknown. I should point out that these are all good things, and work very much in the film's favour. There is no CGI to rely on, no name actors to carry it. Rather, the filmmakers do the unthinkable: they create a genuine atmosphere of unimaginable dread and unspeakable horror, using shadow, suggestion and rare splashes of that Nameless colour in a few select frames. In short, they did a damn good job. Die Farbe is subtle in its mounting horror, nurturing a dark dread deep in your bowels with every shot. All of the best and most stomach-turningly distressing films I’ve ever seen have come out of Germany: M, The Cabinet Of Dr. Caligari, The White Ribbon, and now this one. Leave it to the Germans. We know how to gross you out on the deepest psychological levels.
Lovecraft worshippers and devotees of German Expressionism alike, take heed: seek out and view this film at your earliest possible convenience. It’s a dark, noisome little gem that will squirm into your subconscious and lay its eggs in your sanity. Hey, not everyone gets the honour of being a host organism for the Elder Gods, you know.'
情怀续作了。当年电影IP改编了许多游戏制作，就是今天switch上大热的路易洋馆，也未必不是衍生品。秉承了系列怪诞大条的做派，就是一种老美的自大，恰当的题材下就显为非凡勇气：这孩子怎么就不怕鬼。
连贯拍摄手法有点爽
这电影应该放在暑期档，不过看过前一版的人现在已经都不年轻了，而现在的孩子对这种片子根本提不起兴趣的。
第一二幕都稍显无趣，如果不是对这一IP有情怀，可能没法找到什么代入感。
没看过老版，新版演员选择的不错，菲比跟特雷弗的两个演员演技很好，菲比的小演员还特意把金发染黑，更突出书呆子气质。特雷弗是怪奇物语的主演，再加上有个小胖子播客以及超自然题材，这片子很有电影版怪奇物语的味道。看得出，电影就是准备好了贩卖情怀，前半截大量展示了老敢死队的各种捉鬼装备，看着孙子辈的后代又穿戴那些工具，令人唏嘘不已啊，新版在视听效果上拜cg技术的进步确实表现力更强，第一段捉鬼的飙车戏很精彩很刺激，第二段的棉花糖鬼白白胖胖超级可爱，最后电影里还有老队员的出场，情怀分直接拉满。
好莱坞擅长一个IP炒冷饭，多冷、多久也能拿来翻来覆去炒了，能不能炒热，还是炒糊，反正炒了再说。这种套路看多了，实在是激不起兴趣，何况翻炒的手段也就那几手，比如增强特效，死的活了，老的有子孙等等，好点说是有情怀，往不好里说就是拿老套子继续圈钱。
时隔37年的续集，情怀分拉的很满。当《捉鬼敢死队》原班人马现身的一刻，好像所有的回忆一下子都回来了（棉花糖人的梗依旧还在）。虽说剧情有些草率，但也算有血有肉有故事，比很多刻意煽情的续作好出很多。卡斯强大，蚁人与暗夜比邻星大谈恋爱真是跌破眼镜。尤其不得不提一下洛根金的演出，灵性十足，未来看好。总体而言作为茶余饭后的消遣之作，算合格了。
剧本简单且烂，浓郁的游戏对战风格，不值得看。
评分：5
一般般的炒冷饭之作。适合当旅途片。
兜兜转转还是缺不了老团队 还特地来个没啥诚意的彩蛋
像是在看使命召唤里的过场，晃动的镜头，剧情，拍摄手法还是挺新颖的
纪念意义胜于剧情。前半段有点像青春版GhostBusters，后半段本以为会来个惊天动地的群魔乱舞，可惜那个长得一点也不苏美尔的Boss太弱，毫无压迫感。全片除了水熊虫幽灵、棉花糖幽灵、两只大牛头狗外就没别的怪了。倒是复刻的车子和电击枪很带感。大人普遍降智，倒是麦肯娜·格瑞丝演的菲比（工装裤+技术宅！）真仙啊，撑起全剧角色亮点。
换成小孩当主演估计是主创们都觉得这种几十年前的玩意今时今日也只有小孩看着有趣，吗？
小逼孩这个gunner座位有点酷炫册那! Paul Rudd怎么不老2333后半部分开始热起来了，尤其是监狱里那句who you gonna call lol 用情怀来拍的致敬续集
其实前面大半部分节奏拍得还是可以的，甚至在对情怀的把控上也比之前的翻拍要好上不少，然而观感的平庸只能说当下已经丧失了上个世纪八九十年代的娱乐精神，而彼时的特效无论如何复刻也显得与时代格格不入。
1) 大鬼是按James Charles建模的吗 2)两位小朋友厉害值得涨工资 3) 芬芬合法了吗 4) why am i crying seeing a jewish grandpa's ghost i miss my grandpa ok
大概是给孩子看的鬼片。等..等等，菲比是个女孩？
没有这个银幕基础，看下来真是形同嚼蜡。几个小演员刚好赶上长身体，真是变化硕大。
经典重新演绎，少年们唱主角，鬼魂的处理对小孩子观众也很友好，特别是棉花糖鬼魂，憨态可掬，非常喜欢结尾的最后一个彩蛋，算是对老版的呼应
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