Fernando Di Leo's "Milano Calibro 9" is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, "Milano Calibro 9" was followed by "La Mala Ordina" (aka. "Manhunt", also 1972) and the brilliant "Il Boss" (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned "Manhunt" is (allthough excellent) slightly inferior to this one and "Il Boss" which both stand out as absolute all-time highlights of crime cinema. "Milano Calibro 9" is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.
Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...
"Milano Calibro 9" is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.
The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like "Milano Calibro 9" are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
就，一般般能看吧。这个哈特的戏路还真的是挺定型的？感觉之前看过他的电影演的角色也都这么个性格
看完什么都没记住的爆米花电影 看得时候感觉还挺轻松愉快 假期聚会看看还不错
典型的美国动作喜剧。还算不错不是那种特别没有溜，还有长镜头得动作戏。
故事层面套路到实在没有什么会被我能提一嘴的记住。最后的高潮一镜到底动作戏将影片质量挽回到及格线上，山下智久你要笑死我哈哈哈哈哈哈哈。你说早早地把其他城市的杀手都叫过来，早早地开启大逃杀模式，不好吗？可能是因为处于控制成本才写的这样吧。另外这个迈阿密小哥，比其他人先出来这么久，怎么又是死得那么随意啊，我甚至一度以为他要被洗白帮忙呢。正想说好像很久都没看凯文哈特的rap喜剧，结果一查好想产量也不低啊，也都看了。
因为男主来的，电影本身实在太俗套，电影语言也十分一般，两位演员的演技都体现不出来，女主在燃烧里的灵性也没了
中间有一点无聊，剧情比较俗套，但是作为喜剧还不错，让我过了轻松的一个小时
这样的爆米花电影才是王道，一点深刻，一些搞笑，一些动作，该有的都有了。哈哈。美式喜剧因为夹杂着太多爆破，显得太吵了……最后在健身管里的拍摄很有意思。
2022年还在“墨粉”造成的巧合，这剧本卖不出去有12年了吧？
这片看不看都没有什么意义，花两个小时和抖音五分钟是一样的效果。这一类的电影以后越来越没人买单的。
我再也不相信Netflix出的电影了，就必须嘴贱话痨配冷血硬汉吗🙃
好笑是真好笑，現在爬飛機成標配了，最後玩樂式打鬥不夠爽。
为啥这种片子的傻子一定要是话痨……烦躁的要死。
爆米花解闷片儿，没有《王牌保镖》好玩，最逗的就是那句“能伪装得这么业余，这人一定很专业”哇哈哈哈！
Something called Netflix shit
哈哈哈哈哈哈，故事也太蠢了幸好节奏很快，虽然很套路，但还是蛮搞笑的
郭达不接这戏是对的，因为势必还会再少一星。伍迪哈里森自带喜感还能往上拔一下。即便如此，老套的故事，不走心的设计，笑料也普通，三星到头了。
好笑是好笑的，但时高时低的战力，什么掩体也打不穿的子弹 都有点滑稽了
波多黎各那块我真的笑死，伍迪叔的反差感也挺可爱的
身份错位带来的笑料，公式化的内容。真的就只是也只能笑笑而已。
电影里说得挺对的，色而不淫才最能调动观众的感官。看了开头就忍不住打了一炮
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