Alex de Renzy (FEMMES DE SADE, PRETTY PEACHES) was one of the greatest directors of adult films ever, his career starting in the late 60's and preceeding well into the 90's. So saying that BABY FACE, stands as his crowning achievement is no small praise. This ranks as one skinflick that truly has it all, a complete storyline, fine production, and a couple of decent acting performances and some of the hottest sex scenes ever assembled in a single movie.
Big, lumbering Dan Roberts stars as the hapless construction worker who has to go into hiding following his seduction of underage but willing Priscilla (Lyn Cuddles Malone) which incurs the wrath of her religious fanatic of a man. After a near-fatal accident leaves him unconsciously drifting in the bay, he is saved by fan favorites Amber Hunt (FIONA ON FIRE) and Linda Wong (SWEET CAKES) who clean him up and then some. Hunt comes up with the brilliant idea of taking him to the Training Camp, a brothel catering exclusively for rich women and run by her aunt, affectionately referred to as the Champ.
This fancy cathouse provides the perfect backdrop for the movie's myriad sexual situations, nearly all of them handled with great style and enthusiasm by cast and filmmaker alike, shot through with a wickedly subversive humor. Standout scenes include gentle giant Roberts tender initiation of the eager Malone, their contrast in size providing an instant thrill all by itself, and the late great Kristine Heller taking on pretty much all the guys present in what has to stand as the single greatest gang bang sequence ever committed to film or video.
上上班喝喝酒打打浑 傍晚时分追逐霓虹 黎明时分逃离旭日 是过往的青春 也是现在
黎明时分一起走着就好，我们到底在怀念时间还是什么？现实又童话，残酷却柔和
艺术就是谈论那些我们不敢直面的东西
一开始以为花束之97组看到结局真是沉默晒干了眼泪😅 （这个导演最好是拉黑～（至于演技 若以宽松世代和对不起青春为对比 那是完全没有进步的～
导演比男主年纪还小，怎么可能拍得好这个主题啊？对男人和生活的理解都还很肤浅。拍摄做爱的体位很假，床戏都很尴尬，没有人类高潮之后会是那幅表情的。
肉体的欢愉中夹着无影不在的孤独和迷失。男主终于正面背面全裸，让男女观众大饱眼福，可惜再帅的美男也抵挡不住岁月的无情，水桶腰多少要扣掉1分，哈哈哈。
狗血伦理喜剧，合格了。儿子疯了跑出门了，留下五个大人扭打在一起哈哈哈哈神经病啊。。。话说柳叔当年在风之画员里是百合男来着的，搁如今被男人追一点也不突然。。。
真不能给高分。不不过十八流导演能把故事讲完整我觉得已经足够了。虽然这个故事的瑕疵还是很多很多，然而至少不荒唐。可能导演的大学时代就是这么过来的？
其实有点难以评价 总体拍的比较一般吧 但是社畜部分拍的还挺真实的 人在年轻的时候不管多么豪言壮语在成为了社会人以后很难不会被毒打 喊话那段好喜欢啊 也get到了女主的颜值 摄影画面和配乐也都还可以
——“就像一句句文章汇聚成小说，痛苦的情感汇聚成了人生，体会到心意，离别，守护爱情，彼此安慰，那炙热的季节，他们也一样，某些人虽然年轻、莽撞，或许与常人不同，那些主人公也是灿烂地、或者用快要痊愈的伤痛，在谱写人生，但我还没有执笔的勇气，一定要对正在克服伤痛的他，说出这句话我才能执笔：你对任何人来说都不是伤痛，你对我来说是安慰。”
和自己和解，和生活和解。男神 Leonardo Sbaraglia依舊非常迷人。
应该是躁郁的心？如果不是躁郁症，我真的无法理解这样的情绪冲突。Leonard Sbaraglia上了年纪还是风韵犹存（？），很难不让人心生疼爱呀。
Leonardo Sbaraglia第几次演同性恋，还跳裸舞。“你为什么恨我？”“你在我最爱你的时候离开了。”
南美版的“叔叔”，面对的社会束缚也许更少，但终极的问题，大家都是一样的。
成年父女打闹，猫很安然。
儿子的各种台词：“爸爸，太黑了，我什么都看不见”“怎么会没事，我的心脏像燃烧一样痛”
看成喜剧还可以，只是剧情有点无头无尾的，要素过多又一个都没有把握住
2.8星。一个感情失意生活不如意的中年男人的无尽困顿和苦闷，剧情上没啥意思，唯一亮点就是男主坦然正面全裸的肉体和一两场船戏而已罢了。说实话，看完觉得有点浪费时间。
既然生而矛盾，为什么不干脆放手，随心而过。全片对女儿的羁绊，很清晰。总是有那么一两件事，千钧一发吊着你，让你甘愿妥协于生活，砥砺前行。
跟《痛苦和荣耀》或者《罗马》很像，一个主演员撑起的私人化电影，情绪细腻又饱满，克制又膨胀。
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