The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
人物看起来都有点小毛病的,放置在平常的故事中倒算是唯一看点
没有什么金属精神,只是大家都因为金属而变得开心,just a fucking metal man!!!
自由的代价是什么?
最后没见人质走出大门啊!向每一个为自由奋斗的战士致敬
7.1 重金属校园青春片 选角都挺棒的 最棒的就是从头到尾的BGM 让人忍不住打起拍子
是不是对金属的stereotype普遍都停在了上世纪
金属乐,就是流淌在我身体里的血液!(谐音梗扣钱(
很一般的人质挟持枪战电影。片中警不像警,匪不像匪,人质,,也不像人质。。
很傻很中二但也挺可爱的,可以给到3.5!大提琴当然可以金属,快去听听启示录!另外比较难得的是那个homecoming king居然不是个douchebag
What is the price of freedom?
纪实影视,会放大善与恶,普通与特殊。在全球意识正确的背景下,电影显示一个种族的抗战与牺牲,但意识形态也完全西化,本土传承与文明被弱化甚至否定。
但不失一个好电影,
虽然是基于真实事件,但剧情起码有一半是编的(不懂司法部女儿这个角色的存在是为啥,略煽情做作)
拍得不错。一看就放不下,二个多小时不知不觉就过去了。自由,无论肤色,无论立场。
片如其名,十分亲切的练习歌单,metal融入青春期友情爱情,值得一看。
没想到大提琴也可以玩重金属!大提琴手用电子大提琴出场的时候帅炸了!片中的大提琴曲目是巴赫大提琴无伴奏组曲的 suite 1, 还是很经典的。为了“过审”,乐队名字从 skullfucker 换成 skullflower 也是很有创意了。
挺好,干净利落,不病娇、不颓废,美帝高中生日常。主角们演技到位。
前面节奏有点慢,本来以为会是俗套的剧情,但是却拍出了味道。金属梗可以更多一些哈哈哈啊
又傻又燃,小熊妹妹炸场太抢眼了。没有比讲重金属更适合用重金属配乐的,从头轰到尾,我是high了
很燃,燃到爆!!!这才是青春!Rock never die!
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