The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
班尼:老子不在江湖多年,想不到江湖还有爷的大名...
充满了反思
最后的揭秘有点牵强吧,好好的严肃题材有点为狗血而狗血。
电影本身就很平淡,这个历史背景显然是个很有可以挖掘的,可惜
陌生人不值得信任。
这个国家一半的人都有秘密,在铁幕背后凝望铁幕
难得有一部舍不得快进的电影 喜欢粗糙的工业镜像 只是还可以拍得更好 不知道差点啥 cp的情感部分应该惊艳 这显得有点平淡 俩人的感情应该是炙烈的 噼里啪啦的 攻差点意思 但是破案部分又拍的不错 有点可惜
感觉故事套路的很严重,基本上就是静静的看他按套路出牌
什么啊,视听语言出了大问题,除了摄影还能看(不包括调度)别的一塌糊涂,看了个寂寞,
成出戏只有床戏可睇,而且,好似体位唔多啱喎。
一个小时了, 才短暂的见过arek在日光下的脸
完成度很高的一部电影,起承转合交代的很清楚,故事性也不弱,推荐。
第一次看Netflix拍这种沉重题材的影片,出乎意料地完成度很高。里面有一句台词大致意思是波兰人最喜欢害波兰人,转念一想,某地又何尝不是如此呢?
与男生,了解,认识,偏移,
真好看,从最开始的画质调色天哪,感觉太多需要学习的了,还有镜头语言
另外每一个空间下的角色张力关系都展现得极其到位,在Robert家里两个人推搡亲吻,在你来我往的挣扎中突破心里道德的线那场戏特别好,一下子就串到《春光乍泄》去了。
灯,台灯,烘托人物内心,反映[犯人]内心,还有灯与灯的不同
我甚至一度以为爱情线是支线
“快走,我会找到你的。”
但我还是看完了,为什么要折磨自己
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