A quick glimpse at the cast for this film would make any horror fan giddy with glee. The actual movie doesn't live up to those high expectations, but it's far from being all bad. Desi Arnaz Jr. (!) plays an author who makes a crazy $20,000 bet with his publisher that he could write a great novel in only 24 hours. To do so, the publisher gives him the keys to an old abandoned house where he won't be disturbed. Not true. Once he gets there he is interrupted by a multitude of guests including a family which consists of John Carradine, Sheila Keith, Peter Cushing and Vincent Price. They are gathered there in a twisted family reunion to release their brother from the room he's been imprisoned in for forty years. Even Christopher Lee drops by as Corrigan, the man who has just purchased the house. Soon, they realize that the caged brother is loose and out for revenge.
What a great plotline and what a dream cast! This movie should have been a hell of a lot better. It's hard to pinpoint the exact problems with the film, but I would venture to say that the lack of lighting was a major fault. Sure the house has no electricity but I think they took the title of the movie a little too literally. Scenes after scenes are barely visible and the actors' faces are undecipherable. Only the moments in the main dinning hall are well lit. Also, the great actors are given very little to do. Cushing gets a few chuckles as the scared brother but Price, Lee and especially Carradine are somewhat wasted here. Well, at least Price gets the best line of the film: `Please don't interrupt me while I am soliloquizing.' And on the plus side, the story has enough twists and turns throughout to keep one`s interest and the ending, while a bit of a cop-out, manages to surprise.
讽刺，借机(机器人)讽机(手机)，写实，也许这就是几十年后小朋友的真实状况，不过这部电影小朋友不一定看得懂里面友情的纯真和意义，大人觉得太肤浅，不够深刻，而且一味的隐喻和变相说教，又缺乏良好的手段和方法，让本片又刻板又缺乏娱乐性！
永远没有ending。
对大数据的讽刺有点意思，但故事还是挺套路的。Ron和大白有什么区别。
结尾大可不必这样，不是有备份嘛，再搞一个空机器导入备份不就行了
显得是那么形影单只
因为鼓掌不健全没有网络，手工去了解主人，和帮忙找朋友交友是亮点
ET，还有点T2的味道。可惜票房不太好，可能和Mitchell vs Machine有点撞题材。
哭的稀里哗啦，但内心并不想，是因为知道多了套路，还是不再天真相信
我认同编剧对社交的恐惧和电子产品的警惕。我们已经是离不开电力的电子产品了（说的是我们自己，时时刻刻担心自己电子设备的电力还剩多少）。我们每个人都生活在云端，现在帮助我们回忆某年某月某日某一天的，不是记忆或日记本，而是朋友圈。当我们寄生于云端的那个小格子，是更自由了吗？还有意义吗？谁不想交一个只付出的朋友？这也是为什么现在交朋友越来越难，人们情愿在虚拟网络与人交心，却对身边朋友的困难置若罔闻。影片最终还是将交友建立在电子设备上，有些失望，但是，也许，我们终将与电子设备共生，无法摆脱，也许，与电子设备交朋友更容易，不用口是心非，不用在乎TA的感受，不用试图被理解，也不用理解对方安抚对方帮助对方，只要一味地接受就好了。
2021年的最爱动画。有点前年看《玩具总动员4》的感觉，友谊不是你必须在我身边，友谊是知道你害怕黑暗我会默默地亮起灯，友谊是从be my friend变成be friends，友谊是虽然不舍但你也可以走你选择的路。
孤独是人类的常态，任何选择都是双向的，会有那样的时候，夜里只能对着Siri讲话。
2021 #71。看完本来觉得挺好的，疯狂内涵某社交网络和科技巨头。后面浏览了一下大家的评论发现确实不能细想，前半部份都很好，但结尾的落点非常不好，以为是大家抛弃泡泡机重新恢复到人与人的社交和互动，结果还是跟开头没什么本质的区别。最好笑的是奶奶那句“你是不是对职场中的女性有什么意见”不知道如果引进会不会被改翻译。
设定上可以加分，前半部分很不错，后面就开始套路和煽情了。
Wow 我竟然发现了这两年最好看的动画电影——
有寓意。大人动画，探讨了友情，科技的未来。是好看的
感觉不如同题材的智能大反攻，这两部还都有科曼配音😂
这部影片虽然是动漫的形式，但是却探讨了当下最受争议的技术的负面影响，当然还有传统的父子之间的亲情和朋友之间的友情这些老生常谈的影片主题。整体上值得五星！
对未来的畅想很有意思，或许未来真的就是每个人都有机器人管家陪伴。但老套无聊的故事让所有的最后的感动变得廉价，人物的行为逻辑也不够严密，剧本欠打磨以至于毫无惊喜。
终于有一部主角不是黑人，不是女性，不是少数族裔，不是同性恋的电影了。虽然剧情略显老套但是依然很感人，七分！多给一分完全是因为此剧没有随波逐流去迎合大众搞什么狗屁zzzq！
首先就机器人的设计来看就不可能受创那么严重，在这个大前提就错误的情况下，故事更是漏洞百出。
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