Fernando Di Leo's "Milano Calibro 9" is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, "Milano Calibro 9" was followed by "La Mala Ordina" (aka. "Manhunt", also 1972) and the brilliant "Il Boss" (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned "Manhunt" is (allthough excellent) slightly inferior to this one and "Il Boss" which both stand out as absolute all-time highlights of crime cinema. "Milano Calibro 9" is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.
Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...
"Milano Calibro 9" is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.
The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like "Milano Calibro 9" are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
小成本，有限空间，人物特征鲜明，剧情矛盾突出。
意外的不难看，嗑药太猛了，警察又被渲染得很拉了。
还阔以，电影本身的节奏没有解说视频的好2333，但也是合格的爆米花电影了
还凑合，氛围营造得不错。就是俩贼好像是在演喜剧，警察是智障。女主的背景交代篇幅有点过多。黑人陆战队好像是24小时里的总统吧
救赎和自我救赎。剧情推进很快，开始我以为是公路惊悚片，后来是封闭环境犯罪片。一些反转可能是想说，没有完美的受害者和英雄吧。
爽片。老头一开始说的贼牛逼，结果直接挂掉了，白期待半天。警察也是，专门来送人头，送武器，女主一开始磨磨唧唧就是不说，吃了毒品之后战斗力爆表
哈里森+哈特莫名好磕，看我的既甜又好笑，很好看！虽然剧情俗套，可还是好看，何况还有美美的penny客串，哦对了，还有山p
似乎所有的主角都有一个习惯，就是打倒坏人之后就跑，然后等着坏人起来抓自己，都看腻了。
小成本惊悚电影，故事情节紧凑不拖泥带水，悬念气氛较强，女主智商在线，但部分逻辑桥段上还是有些老套和漏洞
可惜了哈里森
属于那种上了一周的班想要通过看电影放松，又紧张又不紧张，需要想又无脑的那种
评分明显低了。没啥废话也没有故作高深的桥段，这样干脆利落的惊悚片简直是宝藏了。要知道，时间就是金钱啊。
1.拔钉子好疼啊。2.导演仅用回忆中几个镜头就让我讨厌这小女孩，功力深厚（bushi
完成度不错，没有太大悬疑，但是节奏感很好。
童年阴影、深夜暴雪、封闭小屋…本以为是「套路」的组合，却在后半段惊喜反转。
题材不错，紧张感不足，毕竟不是穷凶极恶的歹徒吧
女主在进行生死对决的最后关头我不禁在想，要是她就这么死了，那这种电影多无趣啊！在和罪犯的斗争中死去，感觉一点意义也没有。而最后一如所有同类型电影那样，主角在结尾变得宁静淡然、岁月安好的时候我又在想，真的只有经历生死之劫、或是强烈地见证死亡的人，才会从过去无法脱身的梦魇中幡然醒悟吗？
慢慢延伸，氛围营造挺好的，结尾男主有点蠢了
演员很在线，故事节奏、构图画面和音乐都调控的很不错，后半部分高潮迭起，善最后战胜恶，虽剧本是老套路，但效果已经很不错了
3.5星！突如其来的事件，自身面临的困境，伴随着伤与痛的经历，封闭的空间与环境构成了人物内在的体验，就像曾经突然离去的父亲与将要离去的母亲以及那一矛盾的姐妹关系。
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