"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
我是看了抖音里的预感来看的,看之前期待慢慢,看了五分钟就很无语,乱七八糟啥玩意,啥也不是,难看的要死
还可以 虽然瑕疵蛮多 但总体比预期好看 最后那点直接给看哭了
要不是车祸,男主连一个抱着箱子的小偷都抓不住。 这剧情厉害,顶级战力带着其他学生去找炸弹、帮路人撤退;三个学生去敌人老巢打群架。 男主为啥不先打掉墙上激光枪,本来爬起来都难,结果爆发还打赢了敌人的反弹? 最后那爆发很像一拳超人,打得那么艰难最后一个敌人都没打死全部抓去监狱了。
恐怖全靠梦境,病毒可以变水陆两栖动物,我去年买了个表
别硬洗,哪里的资源,几块钱一条?这么垃圾的电影一个个吹好看?就这就这?
今天看了,奇怪的是虽有很多槽点却让我哭的不行,可能姐弟情我太能共鸣了
剧本一般硬伤太多;演员选角不行;全片靠特效硬撑;
要不是车祸,男主连一个抱着箱子的小偷都抓不住。 这剧情厉害,顶级战力带着其他学生去找炸弹、帮路人撤退;三个学生去敌人老巢打群架。 男主为啥不先打掉墙上激光枪,本来爬起来都难,结果爆发还打赢了敌人的反弹? 最后那爆发很像一拳超人,打得那么艰难最后一个敌人都没打死全部抓去监狱了。
延续了项氏兄弟一贯优秀的美术,但叙事的短板仍然让人从中段开始就感到疲劳。 网大市场的迭代和进化似乎是一瞬间发生的,单纯的技术升级已经不再有效,或者说已经越来越没有性价比。
但要说恐怖吧,也不恐怖,全靠水怪5倍速移动和刺耳的音效,布景粗糙有些影响观感和体验,像在看舞台剧,我觉得最大的槽点是水怪死得太刻意与敷衍了,竟然是抬起石门为了救小孩被压死🆘
其实前半段挺好的,后半段是什么东西,难怪分低……
村长秘密森林制毒,用水怪打掩护,故事还是蛮有新意的,拍摄的手法还需要再提高,摄影的角度,音乐的烘托,紧张悬疑的氛围都可以再上几个台阶。
女主演得不错!剧情抓人,逻辑严密,细节到位。
纯粹是看一下骨头社请来的各位原画师的作画了。
前半段克味儿很足,后半段又是民国怪谈剥削网大的主旋律。。。
只想说,除了主角一个能打的都没有。同仇敌忾出来想靠勇气战胜水猴子,可是这么多人一点谋略策略都没有。好歹拍出点精彩的血性呢,结果啥也没有。一船人没有各自的的特点,要这一船打怪人干嘛。
我记得这个剧本之前看过,不知道买了版权没有,但是后面这个剧情明显是自己改的,这帮人就是拍网大捞钱的,真的烂
女主加一星以资鼓励
故意打一星的脑残们建议还是回家去看手撕鬼子,那个符合你们智力上限
其实不值5星,可是在这里惊悚片全是神经病受不了,它不是,加一星鼓励,虽然逻辑有些僵硬,但并不影响我的观影体验,太想看这一类的了,谢谢你们,中国电影因你们丰富多彩。
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