Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
非常好看！里面还串联起了很多上海美术电影制片厂的电影 天书奇谈 黑猫警长 小邋遢 等等等等 跟女儿一起回忆过去
①说多有创意吧，就没什么感觉，因为每次轮回减一分钟这个设定被拍得根本没有紧迫感，而且CC明明是暗恋RTD，在处理死亡上面却深得魔法特真传，不仅没有实感还觉得无聊；②这么说吧，Dan的“还可以”是靠将Yaz变成花瓶实现的，这个剧情不就是很常见的“女主删了都没影响，反正看完你只记得她对主角有意思”么，明显的功能性角色；③硬挠胳肢窝逼你笑也就算了，有差不多20分钟的说教和无聊聊天完全可以删掉，整天想着给人上课确实是很爹哈，没想到博士过了三季还没搞明白自己的性别不是个爹（是也可以，但是伪君子+爹，要不直接叫英国岳不群？）；④音乐还行，终于意识到密密麻麻塞满音乐会让人窒息了呀。我算是摸清楚了，CC就是挖坑之后自觉在洞口铺稻草的，表面上好像没有坑/填了坑，实际上下一任过来一脚能摔进去半个人。
电影非常一般但因为是和好朋友一起看的所以打五星 影院热的全身流汗 难忘的回忆啊
孩子现在变乖了也不模仿奥特曼了，天天在家里搞恶作剧，被我一顿毒打，还告诉我这都是动画片里学的
可能不是我这个年龄段看的了，在电影院睡着了😓
太过分了，这不是电视剧里面的剧情么，连内容都一样，骗💰啊！
主题曲谁写的，太难听了，要不然能多给一颗星
去年第一个看的影视剧也是DW的新年特辑～
算是13季之后的收尾?土拨鼠之日的时间循环，到后面有点乱哄哄。博士和yaz果然有感情线嘛，不知咋发展，丹还挺可爱。
笑死电影要素过多，致命魔术的双胞胎戏法，走在时代前列的女性电影（女孩子不穿裙子不胆小而且热爱霸王龙），歌颂尊老爱幼的符合新时代特色社会主义的主旋律电影！以上都是我的胡编乱造过度解读！
‘时间循环’虽然老套，但我还比较喜欢~感情线和一些说教，还是有些不适~烟花挺好看，倒是相衬新年~
情怀：6
图图的家，街景，超市画面精致了好多多了很多细节
当年的邻家女孩都开始演妈了。标准的鬼屋恶灵片，没啥惊喜，硬说的话作为圣斗士粉，地狱的样子让我想起了黄金十二宫篇，巨蟹座迪斯马斯克对战紫龙时的积尸气冥界波发动后的黄泉比良坂，在我心里大抵也就这个样子。
童年而已，潜意识里感觉看过。带弟弟妹妹去看的。
有些情节属实糊弄了……简直就是照搬动画片里的情节，前半部分节奏拖沓，只有结尾比较精彩一些。
这都不算是消费情怀了吧，直接消灭情怀。
高分辨率甚至显得有些诡异
啊，女主好美啊，特别是上妆了之后～麻麻那气质那鼻子都好好看，然后再仔细看，竟然就是24小时的女儿，哇，这么多年过去了依旧是大美人啊～剧情就是悬疑➕惊悚，惊悚部分很一般，牛头人惊鸿一瞥一看就是经费有限～经费可能都用在了男孩子的游戏屋里了哈哈哈～那个后天养成的数学天才人设还挺逗，戏份少了些，车祸后开窍卢瑟变博士可还行～总体就很一般～很普通的类型剧好多好多类似的了～
海事那个爱说“真的假的”的图图
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