Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
毫无传记的意义 浪费时间 7分是怎么出来的
6分，成无脑打片了，表演、色调和场景不错，叙事不行
丧失视觉能发展出蝙蝠技能吗……老汉不容易……
正常水准范围内，第一部反派洗白带狗 深入虎穴复仇记
两位不同程度扭曲的“父爱”…和一个强心脏女儿的故事
拍摄制作离得前作那么久也就算了，还直接塑造成硬核动作片。动作设计场景有点东西，但故事内核呕。
摄影很牛逼，瞎子的动作戏不好拍，全靠镜头的转换！上一集记不清了，最后不是把女猪脚抓住给他生孩子了么？！怎么这一部孩子还是别人的？！虽然没第一部好看，但依然是一部佳作，第一部属于恐怖片，这一部其实是动作片！和连森大叔救女儿差不多的情节！不会有第三部，大爷死了，最后也忏悔了，他就是悲剧，退伍军人，女儿意外死了，他为了继续有女儿的日子，终于把自己葬送了
“千万不要以为你拥有的一切是理所当然的，否则上帝会夺走你所有的”——一开场就有金句
把第一部的优势全部抛弃另起炉灶，好在视听上还是有想法的
两位不同程度扭曲的“父爱”…和一个强心脏女儿的故事
故事是好故事，但是这个印度中年大叔男主角太让人出戏了。他也太不象大学生了，也不像一个运动员，更不像橄榄球运动员。
没了前作的紧张感 并且老头的战斗力也跟开了眼似的
全程跟着揪心，以恶制恶、以暴制暴真是永远看不腻，老头眼盲了还能这么厉害，这身手智商速度力量太棒了！父母的禽兽不如，小女孩最后砍掉母亲的手腕，杀死亲生父亲也是够猛！反转再反转，要是老头没死的话应该有第三部！
导演可能不太会把握爱情桥段，太狗血了点。男主的职业生涯真是不容易
美国底层奋斗成功，宗教信仰，亲情爱情家庭，所有的美国梦元素都凑齐了。也的确成功的讲述了一个励志，温情的故事，所以同样是真实历史人物传记，无论是讲述教练主视角的《孤儿橄榄球队》还是以运动员为主的本片都在叙事上吊打《国王理查德》，真正的好运动题材电影该这么拍！
剧情真是各种翻转腾挪，但是真的和第一部的那种惊悚完全是两种概念。第二部完全就是一个爆米花电影，处了暴力血腥血腥完全没有任何看点，完完全全没有一丝惊艳！
所以时间顺序到底是在前还是在后？老头怎么会死？！迷迷糊糊
当然还有背后黑色糜烂的人性
这种电影看的就是屏住呼吸的爽和爆裂血腥，就不要在意什么合不合乎常情。两个房子的小格局比第一部拓宽了，却依旧紧凑的步步紧逼，最后小姑娘拿刀把她妈胳膊锯掉又把她爸捅死，看的真的鸡皮疙瘩都起来了。
毫无传记的意义 浪费时间 7分是怎么出来的
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