The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.
The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,
the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.
Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
荒凉极地，无望的等待精神的崩塌日渐侵蚀内心，生存与孤独是荒野永恒的考验
作为喜剧不算搞笑作为同志片不算激情，但是亚裔主导的同志喜剧影片意义大于质量了。有句话很扎心，自以为看透所有人，其实自己总是预设最坏情况避免自己失望，我本人了
基友版《爱很美味》
电影的后半部分男主们被困在了小屋里，变成了全部是心理戏份，节奏慢了太多，不喜欢这个题材的看不下去，不过影片是改编自真实事件，这些事情在历史上是真实发生的，对于这些历史人物属实敬佩，在那个年代对未知领域的探索一直不停歇甚至付出自己的生命......
总体及格了，但真的角色都很刻板印象！有些地方满不适的
彩虹版傲慢与偏见，多少带点真，又够欢乐爆米花。打开前以为会像Eating Out那样粗制滥造，打开后发现制作还是花了钱的
电影不是很长但后三分之一确实让人感觉拖沓。取景和服装都不错，剧情感觉交代的不清不楚：从出发的原因和目的地、为何男二突然就感兴趣想加入、船员弃船前迅速搭建的看起来一切完备小木屋、到男主的伤心过往（我还以为他女友已经死了变成了鬼总是haunt男主导致产生幻觉，结果结尾女友又蹦出来了）。导演功力不够，随便交代一下就期望观众能自行理解、买单。还是《北海鲸梦》好看的多
偶尔好笑一丢丢 剧情挺拉垮 只有两个渣男长得还可以，Oliver也没啥发挥…多一颗星给Dex。
上手一个经典故事，并进行更时髦的更新：很多的“肉”、很尽兴的彻夜狂欢、很emo的同志感受、很经典可期的“gayfron梗”以及在各大影视剧努力绽放光芒的配角们。考虑到Joel Kim Booster和杨伯文本身的喜剧功力，Andrew Ahn在《车道》就早已炮制的出色气质，还有对各种尖锐话题进行漂白粉饰性的回避，仍然感觉像张题材试水的“安全牌”，无意完成本应轻松拿捏的推陈出新。但它依然扎实，并且在骄傲月拉开大幕之时源源不断地释放热闹、活泼的能量；快投身于这个夏季，尽情地爱，真挚地面对自己；在炎热之际，唱布兰妮唱Donna。始终很欢乐，并丝毫不介意这般简单。
北美亚裔基佬比较真实的写照。想念温哥华的基佬朋友们。
非常Pride and Prejudice甚至到雷同的地步，结尾很难不联想到糟糕的white savior complex以及romcom都有的俗套桥段。但还是想给五星。They r queer, they r here, get used to it.
这种电影就是来看北欧（丹麦格陵兰岛）异国风光的～两年多与世隔绝的极地寒心与孤独相处，人的极限是什么？！3.5
作为喜剧不算搞笑作为同志片不算激情，但是亚裔主导的同志喜剧影片意义大于质量了。有句话很扎心，自以为看透所有人，其实自己总是预设最坏情况避免自己失望，我本人了
1.真不知20世纪初美帝还向格陵兰岛有领土声索； 2.冰天雪地探险，《荒野猎人》更过瘾； 3.总觉得年轻人很脸熟，原来是《浴血黑帮》的乔科尔； 4.这类题材，摄影总是吸引人； 5.船长梦幻美女居然成真了，祝贺！
Fire Island作为Gay Men Cruise Culture的一个文化符号，最有名的文本莫过于Tom Bianchi的《Fire Island Pines》.前HIV时代的火烧岛既是GayMen的同类避难所，也是性解放运动的发生之地.后同志时代的喜剧中的融入了古老的Jane Austin式的PNP叙事范式，不再在纠结认同政治，转向附近性的探索与群体链接. 总是来说，故事俗辣却很适合打发时间.如今的脆弱状态也看不了太苦大仇深的东西.
但Will和Noah不搭啊
我永远会喜欢“傲慢与偏见”这种戏剧模式。也会永远对“达西”先生心动。电影里will在酒吧里登台跳舞蛮戳我的。喜欢有教养有文化有钱有能力并且好看的人有什么错？所以我并不会觉得那些标榜自己找well education有什么好judge的。最难的不是你选择讲究还是将就，最难的是相遇。
从来没想过同性恋电影有黑人，有胖子，有亚裔，却还能这么白开水，太不可思议了。
too white too fit too bottom too cliché
Noah和Will就像是这群人的妈妈和爸爸，爱了爱了
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