Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
看到结尾“虎年大吉”，才反应过来它是今年的贺岁片。虎墩的形象做的真好，很讨喜，单纯看看这个娃娃也值得了。
宣发基本没怎么看到，人们会看这部，要么是因为片名有虎，要么就是想看看除了羊熊之外的动画！总之在我看来，这部全片人物都是包子脸的动画完成度高，人物刻画细腻，对白不低幼，老少咸宜，都能看！而且看完了竟然有点小期待，希望出续集！
幼稚，很多情节不知道为何，比如大反派为什么要扶持一个不会武功的当大当家。打败大反派只需要一些绣花线。强硬煽情。
强行煽情有骗到我想泪目，反正比狗熊系列强，就是进步
220328 国漫发展到今天 其实是期待更有深度的内容创作的 整体故事太套路 一度甚至觉得虎墩有点烦人 送镖途中经常坏事…把主角塑造成这样实在是差点意思 画面不错
虎墩可爱，个人感觉动画人物的形象和故事不太匹配，参考一下《国w排名》小能力大智慧，咱这个就稍显弱了一点。情节、人物设定包括音乐都差一点，音乐也给人不符合内容的存在…还是鼓掌，至少敢于做，同行加油
虎墩真可爱，故事也很完整，可能动画方面达不到预期想要的效果所以简略了些画面，但是坚持做下去我相信进步会更多。希望还能看到虎墩。
还蛮低幼的
小朋友真的会喜欢吗
这部片可能是春节档里最大的遗珠，排片也太过于低调了。
画面尚可，小孩子看得开心，但是我全程只想睡觉。。。。。
虎墩太可爱了又被小虎墩治愈到了！他真的是名副其实的大英雄，不管是从押镖方面还是从交朋友方面，都是那么的暖心。 大家都被小虎墩萌趣可爱的形象和幽默古怪的动作逗笑。 而我作为一个成年人被打动被治愈的瞬间其实是他和师傅练武的时候，为了学得真武功，他必须要跟在这个师傅的后面，虽然师傅不想认他，但是这时就要发挥死皮赖脸的精神。 “别叫我师傅！”“师傅！”当小虎墩清脆的声音在电影院响起时，能感受到这是他为了梦想执着追求所作出的努力，而现实生活中的我们也要像他一样学会不放弃，只有这样，才可以越来越强大，就像小虎墩一样！
挺好看的，反正就是乐呵呵的看完了，也很温情
也别叫“小虎墩”了，就叫“韦小宝”得了。四岁多的孩子不爱看，三十多的大人也看不下去。
剧情真的很不错，非常成熟的起承转合，笑点泪点都有，除了画面和挪吒什么的比起来略差一丢，个人更喜欢虎墩的内容，比挪吒什么的更能共情。3星给剧情，1星给泪点，1星是自来水，现在都找不到排片了，可惜
支持原创故事，比我想象得好看，剧情蛮搞笑的。
快过年那会看预告片感觉这电影应该挺不错的，没想到啊！！感谢新冠让我没在大年三十的时候去看这电影
热血，励志，温馨，剧情比较简单，确实是一部老少皆宜的好片
今早去看了这部动画电影，实话实说有笑点（虎墩与两个镖师的互动和虎墩路上的冒险）有泪点（虎墩想念父母，虎墩回去救师傅），影院的小孩笑声一片👏 👏 👏
徒步在山城长街，
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