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A brilliant and outragously funny satire of society, 7 December 1999
Author: Dave Joerg ([email protected])
"Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original.
Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name:
"Flodders -Eine Familie zum knutschen"
Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.
一星半。执着于煽情，配角连功能性都不完整，天赋和努力的缺失是电影的最大败笔。
是啊，连他都可以做到，为什么我们一个正常人反而不行了。
4.9 人类瑰宝 固定机位我全部喜欢，绝美。这片让我知道声音也是有记忆的，浪花拍岸的声音让我想起从前喜欢过的那些海岛的浪花与水声。探险的部分有点太多了，再剪掉一点，就无懈可击。审美真是天注定，导演的审美太好了。
屏幕太大，眼睛看不过来了，多亏导演每个画面都要定住十秒以上
以纪录片手法复原1961年意大利北部山区地洞的探险历程，全球第三大地洞687米，号称地球的阴道。双线叙事，当探险完成到达洞底之时，也是山地牧羊人摔伤去世之时。优秀的摄影水平与良好的画质营造的临场沉浸感真的很棒，像这样优秀的电影要能引进国内就太好了，而不是在北影节上极少场次的放映。
作为华语片，立意很难得，完全聚焦于个体与母子关系。影片里的“跑”基本等同于《岁月神偷》里的“顶”，仍是港人坚守的狮子山精神。后半段才真正有了现实困境，明显好看多了。故事关于人的尊严，关于自我寻找。妈妈不接受怜悯，让儿子通过跑步赢取尊严，后来，还是不得不屈服于现实。另一边，儿子也在觉醒。对教练，是否定强化短板的练习方法；对妈妈，是拒绝让理想变质。但从现实角度，倒是妈妈一直跑在前面。
#BJIFF13 Life as an abyss, struggling at the very last stage till the end, -683 and all. /如静态风景画般的摄影很可以。/3.5
很无聊的互文，一定要大屏幕，但大屏幕也不会让你爽到
#11th BJIFF 12th#20210930深影中国巨幕//临时决定看的，没想到这么好！以极具现代性的视角（村民与耶稣像共眠，电视中的高楼和歌舞），探讨人类对未知的探索。几乎每一个镜头都是对完整空间和完整/多个动作的同时呈现，洞里洞外皆是大师手笔。神来之笔来自影片中部，灯光一边射向未知的黑暗，一边射向垂暮之人的眼睛，人类探索未知的过程是否也正是认识自己的过程？声音不再是形象的补足和修饰，而真正为电影注入了真实，滴水，虫鸣仿佛都具有灵性。加上结尾的迷雾，仿佛老塔附体，令人两股战战，震撼无言。这样的电影如果在小屏幕看恐怕就丧失所有魅力了，觉得自己太幸运！
人类无数最伟大的科学的诞生或许都经历了无数个无聊至极的日日夜夜。攀爬，测绘，描摹……于是深不见底的洞穴跃然纸上。没有配乐和对话，于是有机会聆听自然和人类最原始的声音。纸片一遍遍燃烧坠落然后熄灭，皮球来回越过洞穴却不小心坠落其中，描摹图纸的笔一次次蘸上墨水最终呈现了世上第三深洞穴的秘密。
2021BJIFF最后一部/@深影 最神奇的体验在于，醒/睡交战过程中思绪迟钝时，沉浸在没有对白、人物断断续续发出没有语义的声音的环境中，在座位上感受到了巨大的恐慌，感觉自己丧失了语言能力🚬 时长规律的固定镜头凝视山野风光和地底洞穴，除美之外，让我有被困住的窒息感。
经过短暂的《岁月神偷》之后，迎来的是松散凌乱的《阿甘正传》+《奇迹男孩》。作为影片，跑道是从“小子的神奇妈妈”到“妈妈的神奇小子”，没跑完。
Atmospheric。这个月在撒丁岛也去了这样一个喀斯特洞穴参观，当然铺好了防滑栈道打好了灯光。有一个洞穴上有1962的黑字，导览说是第一个进入这个深洞的地质队伍留下的笔记。这部电影有科普的一面，队员留下随身小包，挤过黑暗洞穴的狭窄处，自然从来就不是以人的尺度存在，它的存在也不是为了人去赞美去游玩。
吴君如的表演有层次，从泼辣的妇人变得沧桑，疮痍，世俗，崩溃。
8分，没有一句台词，画面绝美。对自然的探索也是对其的破坏…（摄影机是怎么下去的呢
南欧与关于驴的意向。平静且悲伤。
只是不一样的人生路，不再被觉得励志什么的。
北影节睡着了，醒了坚持看。呜呜呜。一边勘探，另一边老头挂了，so老头是洞神？果然科学毁灭神话信仰
28'用力哭不如用力跑🇨🇴
主线还是探洞的部分，可以看出拍摄难度很大，画面很清晰，利用机位切换、光线、构图营造出的洞穴内部质感很难得。我想探险题材片最重要的是视听呈现出的节奏与质感，本片质感在线，节奏则没有太大变化，一直一个频率，这样固然是在还原自然，但观者看起来着实太闷，十分考验耐性。
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