The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
网络版资源 实在受不了女性角色的娘 除了美食的制作方法真就没有什么剧情可言
宗教不是刺激的调味品，而是大山啊。前面都好，结尾太仓促。
6.5
我不懂玛丽克，明明是虔诚的教徒，同性恋是大罪玛丽卡不可能不知道，为什么还要主动接近杰敏？
挺冲击的……但其实如果把信仰换成更加世俗化的观念，倒也能共通年轻人们分手的原因
意外地好看，从🚗后座握手开始，BGM印象深刻，后来大家都去了网易云
（摇头）“我每时每刻都在想你，你呢？”
可能拍摄还是按照短剧的方式，所以一些情节连贯性会比较弱。
不过还是喜欢影院厕所那场戏以及生过孩子脸上那种憔悴与疲惫挥之不去，没有之前那么充满着活力的反差
20220515 1515 bc Elements
宗教的压抑与爱情的狂烈互为左右，眼神的流离，手指的试探，一点点的把观众的情绪推向高潮，片子节奏很好，舒缓有致，看下来意趣十足
她在车里握住了她的手，我的世界突然安静了两秒。
有时候觉得两个人都挺温柔的，有时候觉得有点过于礼貌而显得生疏
很惊讶这个故事留了开放式的结尾，但敬而远之才是对的
''I know. But she is.''
＃2022年38
节奏好怪...爱得好怪...每个人的关系都好怪...
"Yeah."
剧本三星 为内野圣阳的演技再加一🌟 贤二真的是太可爱了
4分，一部新的女同电影，并没有什么惊喜，反倒是电影配乐还给人一种紧张感，这可能是这个电影为数不多的惊喜
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