剧情介绍

  After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle)
 

评论:

  • 尚鹏程 3小时前 :

    这部续集讲了个啥,一对话痨活宝从头到尾都在打情骂俏,越吵感情越深,越能互相理解对方后,再拆台。除此之外,此片再无看点。

  • 夕英秀 9小时前 :

    短平快,干干干,丝毫不用过脑,毒液绝对漫威良心了

  • 卫彦华 7小时前 :

    以雷人作为卖点的主流超级英雄电影也算独树一帜了,从这个角度来说也算值得尊重?但是连主演都毫不care地划水表演,我也不知道我为什么要care

  • 嘉辰 2小时前 :

    扒掉超英题材的伪装,本质就是同性伴侣的吵架琐事,看汤姆·哈迪自己和自己吵架。反派无论是那对亡命男女,还是逆子“屠杀”,都没交代清楚能力来源和行动目的,因为定位就是不重要,只作为给毒液夫妇破镜重圆的一个契机而已。拍了一部下来,原地转了一圈,什么都没推进。好在正片只90分钟片长,不算太长。

  • 宗政冷菱 7小时前 :

    没什么剧情嚼劲,乐趣都成了找彩蛋。成也快节奏,败也快节奏。

  • 媛芙 7小时前 :

    莫名其妙地生出了个反派儿子,又莫名其妙地吞回肚子了

  • 帅白翠 7小时前 :

    全片去除片尾不到九十分钟,剧情相当简洁粗暴,又吵又闹。

  • 卢建柏 2小时前 :

    看不下去。看毒液无缘无虑砸东西我都心疼。主要没啥意义。

  • 卷运珊 5小时前 :

    感觉就是为拍续集而拍的续集,先有结果而有的剧情,热闹喧嚣的场景感觉就像在看一部中二的日漫,但不要灰心,第三部还会如约而至。

  • 强悦畅 9小时前 :

    这粗制滥造,真的不是b级片?估计也是经费不够,幸好就一个半小时

  • 公羊晓曼 7小时前 :

    看两个外形和能力都极为相似的东西打架并不有趣

  • 位幼萱 2小时前 :

    居然能比《黑寡妇》《永恒族》更烂,是我真的没想到的。虽然第一部也是经典漫威流水线作品,但这部已经是三流网络小说水平加页游特效的垃圾片了

  • 彬佳 8小时前 :

    我是来看毒液拯救世界的,却被毒液塞了一口狗粮!

  • 历平春 9小时前 :

    真难想象女反派居然是走路乱颤动辄对着007媚笑的Pennymoney(瞅这名字起的)。一部非常标准合格的Popcorn-super antihero-action-buddy-comedy,这五点居然都做到了,不容易。唯一不满意的是配乐,再有个性一点就好了,可惜了Eminem打下的底,应该跟《黑豹》多学习一下。Andy Serkis没有胡来,保持这个系列稳定发挥(影评人分一如既往的低,影迷分一如既往的不高不低),已很满意。现在观众可能不喜欢废话太多,打架靠力气大的电影了😆电影前播放了蜘蛛侠的预告片,结束后播放了蜘蛛侠的彩蛋,怎能让人不爱啊!(粉丝就是这么容易满足。)这一部里Dan表现得确实不错,我也喜欢🤣

  • 奇勇捷 1小时前 :

    太烂了,看不下去,乱七八糟的故事,毫无逻辑的转折。除了反派,其他人都游离在主线外。

  • 振辰 4小时前 :

    伍迪·哈里森本来就是很文艺骚气的演员,风格及其不搭魁梧的身板和秃头,这次加上假发,立刻展现自我了。

  • 年晓燕 6小时前 :

    呃,,;(虽然我喜欢电影保持八九十分钟的经典时长)

  • 彩锦 0小时前 :

    伍迪哈里森很适合演坏人,坏笑。毒液是真的丑呀。如果我有外星共生体,我会疯掉。精神病的爱情故事。无论你有多奇怪,都有人爱你。片尾有彩蛋,关于蜘蛛侠。

  • 卫泓辛 2小时前 :

    八十分钟看了个der?全片好看的只有最后彩蛋。漫威情节已经不是向低龄靠拢了,这是在向智障靠拢。

  • 孝亦玉 1小时前 :

    毒液和儿子厮打,毒液和埃迪如老夫老妻一样斗嘴,疫情之后观众们的口味或者诉求越来越爆米花和泡沫化,从维系和谐社会角度上看本片也无可厚非。

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