This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity.
I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few).
Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).
《少年行》。致敬里奥。最喜欢这个。
什么他妈的情感细腻,这他妈叫仗着片儿短!
《诗》 3.7/5
命题作文的悲哀,麻花严重跑题,徐峥猛拍马屁,子怡主演自己,吴京啥也不是
(2021.9.27)子怡的才是合格短片,沈腾的除了个别笑点之外没啥意思,徐峥的真的无聊,吴京的让人无语。
鸭先知 最好,既点题还能寓教于乐,其他三个单元过于煽情了。
徐峥那段最好,沈腾的及格,其他两个没讨论的必要。
我觉得这一系列都差不多,就当我看过。其实不重要。
每个故事都有各自的看点,作为观众来说还是非常满意的~
和妈妈一起看的第一遍,和爸爸一起看的第二遍。
1乘风,抗日骑兵团,老父亲吴京&吴磊
天边的月 心中的念
还是有被感动到,每代人有每代人的不易,不要太自怨自艾。章子怡很知道自己擅长演又苦又倔的角色。鸭先知>诗>吴京=沈腾
第一个故事吴京抗日神剧太扯了,应该删掉。第二个造火箭失去父亲悲情。第三个徐峥做生意拍广告的故事,太可乐了。第四个故事,喜剧,以科技才是国家的未来结束,挺好。
吴磊台词功底太差,这么标准的普通话真是一股“清流”啊。真不如70 80年代的老片!
章子怡=徐峥>沈腾>吴京
第二段感觉还挺不错
藉此也向我的父辈致敬,你们是世界上最好的爸爸妈妈!
诗>鸭先知>少年行>乘风
照亮别人的东西
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