Cameras are rolling on the French Caribbean island of Guadeloupe for the tenth anniversary series of BBC One’s hugely popular Death In Paradise, making it one of the first BBC single camera dramas to start filming since lockdown.
Red Planet Pictures have worked closely with industry bodies, other production companies and the BBC to develop a detailed Covid-19 protocol policy, implementing various safety measures including social distancing, face coverings and temperature and Covid-19 testing to minimise any risk of infection. There is also a full-time Covid-19 Supervisor on set to make sure the protocols are being implemented correctly and the latest guidance is incorporated into the policy. The health and safety of our cast and crew is paramount and production is working in line with the Guadeloupe advice as well as the industry guidelines.
Returning to the sun-soaked island to reprise their roles are Ralf Little as D.I. Neville Parker, Don Warrington as Commissioner Selwyn Patterson, Tobi Bakare as D.S. JP Hooper and Elizabeth Bourgine as Mayor Catherine Bordey.
As well as the usual baffling murders, intriguing puzzles and famous guest stars, viewers can expect some huge surprises as the show celebrates a decade as one of the most loved British dramas - and these surprises begin with the return of D.S. Florence Cassell, played by audience favourite Josephine Jobert. Florence thinks she’s ready to get back to work after her fiancé’s death two years ago - but she hasn’t banked on her new boss, Neville. As she tries to understand his peculiarities, sparks are bound to fly…
Neville soon realises he is existing in the Caribbean, rather than embracing life there. With Florence’s help, he determines to seize the day and finds himself starting to reveal some of his secrets - including of a romantic nature. But is Neville really built for a life in the tropics? And is a romantic relationship ever going to be possible for him?
After two series bringing law, order, and joy to the streets of Saint Marie, we’re sad to say goodbye to Ruby Patterson who made such a massive impact in such a short time! DS Madeleine Dumas will also be departing Saint Marie’s sunny shores and we would like to thank Shyko Amos and Aude Legastelois-Bidé for bringing Ruby and Madeleine to life and wish them all the very best for the future.
We are excited to welcome a brand-new face to the team, in the shape of Tahj Miles. His character, 18-year-old petty criminal Marlon Pryce, is a ball of energy and thinks he knows it all. But when he runs into JP, his life takes an unexpected turn and he finds himself looking at a very different future to the one he expected.
The arrival of twins is the least of JP’s challenges as he finds Marlon - and some shocking developments at work - testing him to his limits. Selwyn’s frustrations with his new detective take a back seat when he finds himself in the firing line and Catherine’s life is turned upside down when the death of a friend pulls her into grave danger.
Executive Producer, Tim Key, says: “We are delighted to be able to start filming and can’t wait to celebrate our tenth series with our audience. It’s a joy to be working with Josephine Jobert again and we think the viewers will love watching her trying to get to grips with Neville. And we are very happy to welcome Tahj Miles to the show. Marlon is going to make real waves once he arrives in Saint Marie. We’ve got some real treats for our long-term viewers as the series progresses - including some major surprises and the possibility of another returning face or two. We are determined to make this our biggest and best series yet and can’t wait to take our viewers back to Saint Marie in 2021.”
Red Planet Pictures' Joint Managing Director, Alex Jones, says: “Like every other production company, we have faced huge challenges to get to this point, so we are delighted to be up and running again and extremely grateful to everyone who has helped us get this far, not least the people of Deshaies and the region of Guadeloupe for their assistance. The safety of our cast and crew - as well as our friends in Guadeloupe - is the most important thing to us and our policies have been designed to protect everybody whilst still delivering an amazing series for our tenth year.”
BBC Commissioning Editor, Tommy Bulfin, says: “We are so pleased that filming has started on this special tenth anniversary series of Death In Paradise. This series is packed-full of captivating cases and unexpected twists, as well as some really great surprises for fans of the show. Thanks so much to Red Planet Pictures for working so hard to make it happen.”
Death In Paradise is a Red Planet Pictures production for BBC One made with the support of the region of Guadeloupe and internationally distributed by BBC Studios. Series ten is produced by Jim Poyser.
依然是马修•沃恩的R级趣味，拉斯普京一段戏笑到崩溃，实在蚌埠住了。文戏实在冗长乏味无趣…一如既往。还有就是英国人骨子里的爱国主义情怀和战狼简直有异曲同工之妙…
感觉导演是能拍出观众想看的东西的，但是他没有，他就拍了他想看的，so。
装腔作势，胡讲一气，这里面的绅士就是一群装逼的人
坏人神教師太正了点，又邪又上脑！
一想到这部百无禁忌的玩闹电影能冒犯毫无幽默遍布雷区的人群，它以挑衅戏谑立足的品牌价值就更具趣味。马修沃恩前作勾勒的漫画感夸张荒诞暴力和自嘲的英国传统符号与美式流行文化融合框架上继续扩展宇宙。一以贯之的反高潮主角置换，子以父继的悲剧和十字勋章的「和平处决」默然映射一战凋谢的浪漫理想和帝国黄昏将近，老迈身躯和高频打斗的诙谐碰撞又有多少特工类型式微仁者见仁的哀婉。动作场面和视听效果设计远超正传，刺杀拉斯普金一段在历史恶趣味和高强度恶搞的层面堪称癫狂，对于享受此类风格美学的观众是纯粹盛宴级别。费因斯把控悲喜剧两面的表演创造出谍战界的古斯塔夫，叙事转折作为系列娱乐的核心加倍精心，明知故作愚蠢，依然乐在其中，戏外意料之中所谓历史卫道的谩骂让反讽弹无虚发。如果能让新任兰斯洛特有长期饭票，还请导演续写下去。
对于历史的戏谑解构如同儿戏。你甚至不忍心用“历史虚无主义”来批判这个弱智剧本强奸、亵渎史实的无耻，因为历史虚无主义者也不至于如此堂而皇之地告诉你尼古拉二世和威廉二世是从小在一起玩耍的表兄弟而连阴谋论说辞都不愿讲。英国人的傲慢、无知与下贱在此片展露无遗。他们甚至懒得让德国人说一句德语，而俄国皇后开口居然是标准的伦敦腔。列宁的部分就更加不需说了，是德国人看了都要头皮发麻的恶心程度。所有人要么是邪恶的深层政府走狗，要么是傻逼，只有大英全员伟光正，连奴仆们都一个个是顶级特工，无不对主人们忠心耿耿，心甘情愿效犬马之劳。英王体恤民情、心怀天下，为了世界和平鞠躬尽瘁宛若圣人。感动！感恩！我不禁为有这样的封建君主存在而泪流如注。
怎么说呢，王男的魅力恰恰是有点虚浮的形式感。当你想在里面增加一些实质的东西让形式感落地变得更有意义的时候。它反而就毁了。
我要审视质疑彷徨于自己对马修沃恩导演多年的喜爱了，真的是他编剧导演的？亮点是几场动作戏＋OST＋剪辑，王男系列的延续。荒诞剧情夹杂了很多莫名其妙的表达，黑列宁很难忍，带嘤人脑袋有包，祝福苏格兰吧。从拉郎的角度看，谢诺菲留斯·洛夫古德试图强上伏地魔，hp粉丝狂喜。同时恭喜劳德和古迪人到中年和当年脸老师一样拓宽了动作戏戏路。
没有很差，起码娱乐性还不错，大银幕看应该很不错
而这争斗背后的溯因可能比羊倌复仇还无语，
作为王男的忠实粉丝，这部对我来说实在是槽多无口。
近几年看过最一头雾水的外国片。狗尾续貂的“前传”。虚构戏说历史作为娱乐性无可厚非，但是故事的设计毫无结构可言。逻辑性、娱乐性、艺术性………统统都不沾边！希望不要再按照这条故事线继续拍了！
拍一战的电影很少 正经拍一战的电影更少 这部起源电影就跟两部正传一样都是超级英雄式的低智低龄世界 同时也犯了很多超级英雄电影共同的毛病 塞的太满却又抓不住重点 本片的故事如同前作一般普通 讲的还很乏味 又缺乏前两作那些奇观的恶趣味的搞怪的内容 能让人提起点精神的就是影片对一战前后真实历史人物与事件的阴谋论式的恶搞 以及中间主角跟老毛子反派跳舞似的打斗 这个系列其实完全可以顺着阴谋论和戏说历史这个方向做下去 如果只是单纯从特工片的角度 真没啥必要拍了
最被侮辱的是没有出现在影片里由此显得无足轻重的法国……
一股土土的气息，而且都是老土的反战故事，这是kingsman的起源也实在太让人失望。动作戏不优雅，丧失了这系列的味道。
和前两部的有着各种高科技道具的纯动作爽片不同，这个前传使用了架空历史的方式来讲述了金士曼的成立，结束即开始。本作没有炫酷的科技道具，文戏也比动作戏多，趣味（恶趣味）都建立在架空历史之上，乳德乳美乳苏俄甚至还略过了不值一乳的法国。牧羊人组织类似于007里的幽灵党，金士曼大破牧羊人的传统套路上又玩了一些非套路的剧情和结构，恶趣味依然恶的可以，原味之中拉斯普金的“舞”剑和战争场面都是本片的闪光点。中道崩殂的哈里斯·迪金森和略带门槛的欧洲一战背景可能会让多种元素内容的混合的故事显得杂乱。整体虽说不上惊艳，还是维持了第二部的水平，三星半。
如果说 2 代是狗尾续貂的话，这一部就是画蛇添足了。几段故事非常割裂仿佛不是一部片子，强行搞笑的搞基和狗血任务执行也非常出戏像是被片方按头增加商业元素插科打诨。打戏也乏善可陈，芭蕾那段还被用力过猛的搞笑元素毁了。点题经典台词的部分敷衍到令人发指。
芭蕾舞融入进剑术格斗并没有带来邪魅的观感，尤其是在那段莫名其妙令人作呕的性暗示后更加使得观感下降。反派们的偶尔出现使得无论是计谋还是武力都没有一丝一毫令人恐慌的压迫感，戏谑战争的选择也让战争的残酷和急迫烟消云散。种种选择让《源起》配不上王牌特工的名号。
冗长无聊，勉强看完俄国妖僧的芭蕾舞之后就再也看不下去了，这个IP到此为止吧，别再狗尾续貂了！
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