Filming has begun for Us, BBC One’s four-part drama adapted by David Nicholls from his hugely popular novel of the same name.
Tom Hollander (Baptiste, The Night Manager) will be joined by Saskia Reeves (Luther, Shetland), Sofie Gråbøl (The Killing, Fortitude), Tom Taylor (Doctor Foster, The Dark Tower), Iain De Caestecker (Agents of S.H.I.E.L.D, The Fades) and Thaddea Graham (Curfew, The Letter for the King), with casting by Sarah Crowe. It is produced by Drama Republic and Bandstand Productions.
Douglas Petersen (Tom Hollander) is blindsided when his wife Connie (Saskia Reeves) tells him that she’s not sure she wants to be married to him anymore. Agreeing to still go on their planned family grand tour of Europe, Douglas vows to win back the love of his wife and repair his troubled relationship with their son Albie (Tom Taylor).
Reflecting David Nicholls' signature mix of humour and heartbreak, Us brings the Petersens' poignant and often hilarious story to life, taking viewers with them on their once-in-a-lifetime journey through some of the most beautiful cities in the world.
David Nicholls says: “It’s a huge thrill to see the novel come to life, and with such a wonderful cast and production team. We want to make something funny, touching and beautiful, to really explore marriage and family life, all against this incredible backdrop.”
Tom Hollander and Hannah Pescod say: “We are delighted to be working with Drama Republic and the great David Nicholls in bringing his beautiful novel to BBC One. The trials of the Petersens will strike a chord with many - a family tale for our times.”
Piers Wenger, Controller of BBC Drama, says: “We feel so honoured to be bringing David’s beautiful novel to BBC One and to have the brilliant Tom Hollander and Saskia Reeves playing the leading roles. We are thrilled to work with David and Drama Republic once again and also with Bandstand Productions on their debut drama for the BBC.”
Greg Brenman and Roanna Benn, Executive Producers for Drama Republic, say: “David Nicholls is a unique and rare talent who miraculously manages to intertwine profound emotion with full-on humour. This glorious adaptation has attracted an exceptional cast in Tom Hollander, Saskia Reeves and Sofie Gråbøl. We couldn’t be more excited to begin filming.”
Us is executive produced by Greg Brenman and Roanna Benn for Drama Republic, Tom Hollander and Hannah Pescod for Bandstand Productions, Jo McClellan for BBC One and David Nicholls. It is directed by Lisa Siwe (Temple, Modus) and distributed internationally by BBC Studios. Filming will take place in London, Amsterdam, Venice, Barcelona and Paris.
啥呀…干脆叫《魔女之超人附身》好了，真是外星力量吧，超人看了都让步，本来两颗星的，结尾前魔女出现➕1颗。 上一部变种人不多，最有印象的就3个，但是每一个都很有特色，也可以区分。到第二部真是人均能飞，人均冲击波和控物，不说上海来的那些普通话多蹩脚，就那几个全长一个样我都分不清，我们是喜欢第一部魔女又牛又萌话少人狠，你到这儿批发这长相来了？整一个不爱说话的吃货人设对剧情有什么帮助吗？每个都很牛杯，最后还是被吊打，那为啥不在最开始出来吊打她们，保护那个好惨的姐姐弟弟呢？问就是导演不让。三方力量不清不楚的拉扯，说话拽的二五八万，结果全废话，哪有第一部的谈话有内涵有拉扯？打戏也失去了第一部拳脚对打的带感，就剩比划了，咋的借鉴《超体》了啊。看看第一部的魔女演技，第二部的魔女我真恨你是块木头。浪费时间
很少看俄罗斯电影，战斗场面很真实。世界还是那个丛林世界，只是有的人安逸惯了已经忘了自己是从哪里走出来的，英雄值得被歌颂也应该被记住
前半段太磨叽，一直都在飙俄语。最好看就是从1:49开始，这才像俄罗斯嘛！之前营救没成功还搭进去一人一直升机就挺无语的。。。。。。
老美哪部电影不战狼
如果叫‘俄军宣传片’也合适。
战熊的《壮志凌云》，武戏就不说了，绝对硬核。很多人说文戏弱，感觉并不弱，交错时空双线叙事交叉点赞！真实事件感人！有兴趣去了解下。
前期的插叙有点破碎，反复地穿插主角年轻的时候和现在，中间的空战，特种部队行动都还不错，末尾的纸飞机个人觉得很浪漫，显得人物有血有肉
想不到毛子的特种部队也会这样，外观猛看上去和海豹真没啥区别，大量俄式特种装备大开眼界，就是空地协同也太差了，用苏24这种飞机来做治安战的战场遮断和对地支援。
表面上是扩大世界观，实际上只是资本增加后的劣拙自我重复。妄想用泛滥的CG充胖子，还不如回去好好写剧本。想再造一个魔女？也得先看看自己几斤几两吧，金多美可是打败了全钟瑞的怪物新人啊。以及，别再讲那蹩脚的中文了，你那么多血浆卖了也没法上映是吧，何必呢？
应该是第一次完成看完战斗民族的电影。总体来说不算好看，情节处理得很脱节和生硬，看完觉得，真不如就看看抖音截出来的那几个战斗戏，这才是全片的精华，其他大幅大幅的描述战斗前的平静生活和利益诱惑前的选择等等这些，有点难共情。另外就是主角从被伏击到跳伞到空中被射杀的过程处理得有点过于平平无奇了……还有落单深入敌后的士兵通过民用手机求救的曲折，感觉有点刻意在加戏。3分给战争场面，0分给剧情情节和演技
俄罗斯版《空天猎》，情感处理极为细腻且前后呼应“一定坚持自己”，情感爆点突出；同时有军人世家传承感，子承父业迎合大众对军人的预期；无源音乐让人一身鸡皮疙瘩。
魔女双生花的故事，片名The Other One说的很明确了，只是这个故事太流水账太稀碎，三条人物线编排的很乱很差，至于说着“普通话”的那群人既然说的这么烂，那请以后还是别说了。看演职员表才知道导演和编剧是一个人，作为编剧大概是想不到什么新花招了，只能把改造人写成变种人了，比魔幻更加魔幻，作为导演全片的节奏感、重点都把握不到位，哎西八，白瞎人这么期待~
前戏俩小时，高潮10分钟。和第一部套路基本一致，文戏有多烂，武戏就有多爽。依旧是朴勋政喜欢和擅长的血浆+动作，但到了next level，更快、更强、更爽，依旧出彩。剧情简单的跟1一样，正经的韩式普通话总让人发笑。总体还是挺期待下一部，姐妹联手，干！
俄罗斯战狼式主旋律影片，俄军在叙利亚援救坠机飞行员，场面还算撑得住。
战斗民族的现代战争还是第一次看，果然大国武力
评论里都看完全片了吗？所有战争镜头稀烂好吧，前后衔接毫无逻辑，宛如一堆不知所措的素材被杂乱地塞进ppt。倒是剧情推进自然流畅，首尾呼应，于细微处见爱国主义，可以说是很精致的叙事了。扣一星是给崩得非常彻底的救援过程的。
22_085。（看的是凤凰的版本，不知道是不是我的问题感觉音频不对，听起来声音很刺）看1时说导演肯定没钱拍2，结果4年后竟然拍出来了啊。看了2感觉跟1简直也没啥不同。还是前面救人，大量的适应社会（并适应不了）的文戏，精华都在后面10多20分钟的血腥暴力画面里，这方面越拍越精彩了。2增加多了几方反派，徐恩秀帅毙了我喜欢。把崔宇植换成了长发李钟硕（3把崔宇植换回来好吗！），申诗雅这个新人完全没有表现的机会看不出好还是不好，增加了好几个讲除了写剧本以外没人听得懂的“中国人”，我对此没啥意见（当然能找个配音就更好了），就是既然打戏都设计了能不能在亮点的地方拍啊看不清楚啊！看来3也会拍吧，好好拍血腥暴力的打戏行了，文戏导演你就是zero，不行的！
其实还是要感慨，人类不应该诉诸武力，战争宏观叙述伤害的是具体的人啊。
节奏不好，温吞吞半天，刻意讲故事，还没讲到位。地面战斗场面尚可，说实话，处理的还真不如红海行动。刻意了。
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