Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
西班牙篇是准高爱情的双向奔赴，东谷准太是西条高人平稳规划的人生里的意外，西条高人为东谷准太的世界带来了色彩。动画里虽然跳舞的场面都很像在抽搐，但最后山丘上高人主动的吻却比漫画生动很多，不过应该可以做得更好的。看完再回看第三卷漫画狠狠共情蠢太，那个在大屏幕上的身影，说句俗话，真的是一眼万年。
好看呜呜呜，太他妈好看了，全程get那种，配乐也好。我心里的五星。
治愈的青春女女片，女二太好的，完全是女主生活的一道光啊，难怪爱上啊，片尾点题了，是电影片名的出处
。
4星。我的心向你打，靠在你肩膀上敞开心扉，沙发上和你相拥依偎，so damn easing going
见有些人的时候就是一秒都不想耽误呀
两人的体形有一种戏剧性的反差，体形小只的奥德丽救了高大的乔安娜，她打开了她封闭的内心。
我让摸不着头脑的绑手Play和不经同意的内🐍整吐了。
没那么精致 但是立意很好 西条高人的壁纸 几年了一直没换过
“巨他妈好相处”这六个字居然可以这么浪漫（炮友小哥未免太帅）
7.3 看得挺快乐（电影世界里总是更宽容更轻松，现实是，看到“敞开”一词，都会慌张到心跳慢半拍
制作肯定要好于tv版，这是可以说的吧，这个一眼看到结局的故事本身并没有什么嚼头。
So dam* easy goning.没想到Audrey 的推荐语这么彪悍XD. A短发真好看。女主告白那里有点尬，但是好甜！全场都是电灯泡了哈哈哈。
故事四星
😅什么玩意儿啊 这辈子再也不想看到长的帅出身好但是感觉活的行尸走肉但是仅遇到一人世界发生改变这种人物塑造了 真的很单薄无趣没有逻辑好吗 以及如果脱离耽美视角1真的很变态我谢
对ADHD的症状有了更直观的认识，情绪不稳定的人也许不适合恋爱，但她们可以爱
片尾曲好听，doi戳我xp，橙花：新娘的喜悦
算是我本年度top3了。她告诉你做自己才不会被讨厌，他可以原谅你偷了他的大麻，你可以大庭广众之下告白，然后说好尴尬要一边去装忙。男的女的，大家都很好，但百合电影里工具人就是工具人，小哥明显是喜欢人家的，但最后也释怀了，最后见面忍不住说出没有喂鱼真的笑死我了hhhhh。不管你是多怪的怪咖，也请对我敞开心门吧。好吧，正在对你敞开心门，暂且敞开10cm吧。一些对话真的好可爱，镜头转换也很妙，印象很深的部分是灯不断在闪的那里，仿佛在说：该死，喜欢她喜欢到疯狂爆灯了。然后就冲进江里冷静去了（小孩子可不能模仿！）ps.吐槽一下，爹真的看得我很想进去扇他，果然家里没有妈就会宕机。
如果你是一个吃鸡爱好者，那这部电影绝对适合你，如果你并没有怎么玩过吃鸡，本片也有适合你的燃点。作为一部网大，很多地方是不够成熟的，但好在影片的诚意是相当足够，剧情虽然老套，但是主角一行人的成长却做的相当扎实，同时还在原游戏场景、服装和画面上做足了功课，真人扮演的游戏形象也给人很强的真实感，决赛更是一波三折，就算是纯路人观众，也能在解说的疯狂下，感受到那一份激情，因为这已经不是普普通通的在讲述游戏，而是一份信念、一份情感、一份坚持、一份励志，又有谁能不被感染呢？还有就是最后平底锅绝杀的时候真的是……太感动了！平底锅，永远的神！另外，影片也涉及到打黑赛、外挂、资本操弄等问题，只是故事并没有对这些进行深度的探讨，结局也没能进行相关的惩罚和处置，只是用主角们的真诚将其回击，造梦属性有些强了。
挺暖心的，多动症的设定也很新鲜，遇到能包容自己的人真好。
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