UCLA college student Jonathan Moore (Anthony Edwards) is playing a game called "Gotcha" (popular on mid-1980s college campuses as "Assassin" or "Tag"), wherein the players are all assigned a mock "hit" on another player by use of a harmless paintball gun. Moore and his apartment roommate Manolo go on a vacation to Paris, France. After touring some of Paris, in a cafe Moore meets Sasha Banicek (Linda Fiorentino), a Czechoslovakian girl. Eventually, Jonathan has intercourse with Sasha, losing his virginity.
Jonathan decides to leave Manolo (who is heading to Spain) and go with Sasha to West Berlin to spend more time with her. Jonathan believes that he is in love with Sasha. There, Jonathan and Sasha continue to have sex and even go to an Oktoberfest beer gathering. One night, Sasha tells Jonathan that she has to go to East Berlin to pick up a package. One night after arriving in East Berlin, Sasha leaves their hotel room and walks to dark street corner. There, Sasha meets a German man who tells her the location of the pickup of her package. Meanwhile, Sasha was being monitored by a Soviet agent, who was sitting in a car at a distance. During the day, Sasha tells Jonathan that if she gives him a certain message, it means that he has to leave East Berlin immediately. At a cafe, Sasha gives Jonathan a package and says that a strudel is inside. A little later, Sasha tells Jonathan to meet her at the butcher shop near their hotel. All of a sudden, a Soviet agent begins to chase after Sasha. Sasha decides to use Jonathan (who is holding her package) to unknowingly get the package over to West Berlin. Meanwhile, Sasha is taken by the Soviet agent and East German secret police.
Jonathan goes to Checkpoint Charlie to cross the heavily fortified border into West Berlin. At the East German customs search, Jonathan is stripped of his clothes and given a cavity search. Meanwhile, Sasha is stripped and searched for possible espionage evidence. Vlad arrives at the border crossing to search for Jonathan, however Jonathan passes the border safely before he can be captured. Once in West Berlin, Jonathan feels liberated by the Westernized society. In the hotel, Jonathan receives a message from Sasha to meet him at a specified location. Jonathan finds out that his hotel room was broken into and robbed of his traveler's checks. Soviet agents eventually find Jonathan in West Berlin and chase him throughout a public park. Jonathan jumps into a water canal and manages to escape from the Soviets and stumbles upon a German rock group headed for Hamburg, who offer him a ride to the airport.
The rock group successfully get Jonathan to the airport (using full-face makeup to sneak him past a checkpoint) and Jonathan finally arrives in Los Angeles Tom Bradley International Airport and to his apartment. Soon, Vlad and a band of Soviet agents arrive too in Los Angeles. Once home, Jonathan stumbles upon a film canister, which was planted by Sasha. Jonathan visits his parents and tells them what happened in Germany but they cannot believe a word of it and think Jonathan is on drugs. Jonathan decides to call the FBI then the Central Intelligence Agency for help. Jonathan returns to find his apartment broken into and looted.
The CIA officer tells Jonathan to give them the photo film canister. At the Los Angeles headquarters of the CIA, Jonathan spots Sasha who looks like she was working there. Jonathan eventually meets up with Sasha. Sasha admits that she is Cheryl Brewster, a CIA agent, originally from Pittsburgh. Out of nowhere, Vlad and his gang begin to chase Jonathan and Cheryl on the UCLA campus. Jonathan eliminates all the Soviets with a tranquilizer gun which he gets from the campus veterinary sciences building. The Soviets are arrested, the CIA agents thank Jonathan for his (indirect) help in obtaining the film, and Sasha tells him she wants to continue their relationship.
After they part, Jonathan talks to a pretty student who rebuffs him coldly. As she walks away, he aims the tranquilizer pistol and shoots her in the rear.
父子情作为这部真人吃鸡电影的主线丝毫没有强行煽情的感觉，游戏里的队友是“战友”，生活中的父子亦是“战友”，因为生活比起游戏更加艰辛不易，肖汉最终胜利后抱着儿子沐浴在如阳光般暖暖的灯光中，他们就是彼此的太阳。
想法是好的？不懂游戏，但里面处处都想给你超验感，现实也好，游戏里也好，都是。但这是电影，不是游戏：要第一人称视角太山寨而且没有一局有完整的起承转合，要叙事合理性你加个富二代女娃牵强地让他们在海边最后吻别，意义呢？给loser一个可能性？拼了三个线，切换都挺生硬的。只能说，试图讲好一个底层励志故事，做的也看出花了心思，但最终的效果并不好。鼓励一下，看在网大份上，加一颗星。
看得挺爽，尤其最后一幕，不打游戏都叫人看的热血沸腾，观众情绪调动和感染很到位。虽然这那问题比如感情戏父子线较浅，然而对于网大来说真的已经非常不错了。加半颗星给结尾那个电话，把人从幻想又拉回了现实。四星半。
有一说一，即便是网剧，但也拍出了大片的感觉。开头的铺垫做得很好，全片结构安排得当，运镜技术更是高超。刻画出了社会小人物的心酸无奈，贴近生活。期待这样的网剧再多一点，而不是一味地烧钱大制作。
一位90后的导演把一电子竞技类题材的网大拍到这样一定的水准，值得点赞了！
枪战值五星！感情戏略拉胯，但最后没有抱得美人归，不落俗套，可以给五星！
热血是够热血，特效也算够精良，传递的价值观。。。额，不提价值观。情节比较老套，社会底层（简称盲流）靠打游戏参加比赛赢得大奖争取到儿子抚养权的亲情戏。但是导演，你真的觉得这样生活靠谱么？
完成度比较高的一部游戏改电影了，形式上很容易让我想起《飞驰人生》。同样的，这部影片也难以避免避重就轻，因为主动放弃现实主义的手法而显出奇幻类型的色彩。这种处理一方面因为影片集中在故事情节本身，不需要太多的挖掘内核，这种进行深度思考，这让影片整体氛围非常的轻快，进而让影片的受众增加，另一方面，这种满是浪漫主义色彩的浓浓讲故事味儿让影片成为了不折不扣的流水线产品。当然，如今我对这些现象知道的更多了，再不会纠结于导演和编剧的这种扁平化处理，反而是结尾的学区房彩蛋颇有些点睛的味道，轻巧却有余韵。
4、游戏场面的节奏干净利落
1星给的是游戏题材（虽然不是重点）就像是一场梦 醒来还是很感动 有说到游戏的事情
完成度超高，只是电影太过套路化了，哪怕最后没夺冠呢
日子过成这样也太寒酸了，家里简陋，交不起房租，屋内一塌糟，漏雨又少电；加上还有前妻来争抚养权，不奋起简直要活不下去了。所以肖汉的奋起是偶然也是必然！
虽说是网络电影，但是动作场面非常火爆，可以跟院线片媲美了。一些镜头很容易带给观众当年玩穿越火线时的感觉。
从制作上来说，这在国产网络电影里面算是上乘作品了，CG做的不错，游戏玩法上还原的也不错，人物移动卡顿感、第三人称卡视野，不过没有深入游戏机制。剧本是屌丝逆袭式的，严重脱离现实，“孩子请律师”、“我的前妻嫌我穷”这些不说，最离谱的是主角团队打职业的过程竟然如此轻松就拿了全球第一。前两年跟朋友打职业的时候，请教练，每天都是十二小时制的训练，每张地图的每片房区、斜坡、高地都研究过，打到吐，最后才打到了市第三；电影里主角的那些“神操作”平常路人局里才会用到，比赛时几乎不会用，大家打得都很谨慎，都怕出错，拼的就是谁配合好容错低。总之这部国产的网络电影还是不错的，鼓励一下，希望以后网大能拍出更好的作品
以为是游戏公司割韭菜的烂片，没想到居然没垮。
在我不经常看的抖音上看到了这片的电影解说，便找来看了看。虽然之前也就去过一次青岛，但看到高架下停满的车辆，还是一眼便认出这是在青岛了。个人觉得片中的败笔就是身为老 CS 玩家，为了赢居然不择手段开挂，太令人不耻。令：女主挺漂亮的。| 又仔细研究了一下，男主和老婆孩子分开后独自一人走在路上，背后有家岛祥和水产的招牌，搜了一下，就在莘县路上，这里有一个卖海鲜的市场，17 年我从青岛回程时就是在这里买的海鲜，我就说这地方看着这么眼熟。
废材小人物对抗资本大反派，本质起点逆袭爽文。
我印象中第一部还算可以看的内地游改电影，完成度不低，对于游戏的总体还原度也很有诚意，演员也没有拉跨，至少达到了电视剧水平，但这故事实在也太老土了吧，都2021年了还在讲这样的小人物翻身故事，男的loser就是蓬松头、啤酒罐满地、烟屁股塞满烟灰缸，这种刻板刻画真太过时了。无脑是故事的另一个硬伤，一帮人非要窝在破房子训练，就算不去富家女家，那全世界就没别的地方了是吧？决赛都胜券在握了，还要花1500万买通排名倒数队伍的一个队员，只为了保证自己拿到第一名，而第一名的奖金只有500万，报个仇花1500万，这不是脑瘫是什么？不能细品，当一乐看。7分以上，太高了。
挺精彩的，融合了游戏和亲情的元素，而且游戏都是真人大场面，作为网大来说下了这么大的手笔，还是非常有诚意的。剧情也是挺燃的，几局游戏场面真的是有点身临其境的感觉，而与亲情这条线上的结合也是比较流畅连贯。虽说剧故事本身有一些逻辑上的漏洞和节奏上的缺陷，但作为一部网大作品，已经是很不错了。
网络电影真的有进步，但和真的电影比，网络电影最大的缺陷是“系统性”，类型的贯彻，审美系统的高度统一，视听系统的互相配合。
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