Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
我朋友为了陪我去看去补了第一季 做的真的很分段式和尴尬 还好她没有不喜欢 但我已经对咒术这个ip失去兴趣了 纯纯三星 为了乙骨多加一个星
整体节奏保持住精彩，剧情上相对仓促了点。太纯爱了，无论从BGBL上来说。好嗑。
赶在下映前去看剧场版，竟然全场爆满！谁能料到前代男主纯爱战神存在感比绝不加班的社畜娜娜米还低，风头全被五夏cp（aka GGAD）抢得一干二净……
打发打发时间得了，该有的套路都有，就是都很生硬，费不着功夫去挑刺
看过漫画0，五夏党。可能是因为对剧场版没带任何期望值来看，观感意外地好，打斗尤其精彩。
0卷本身没多少东西，明明是个三集ova特意凑成剧场版，所以很乱，甚至分镜都照搬漫画。但架不住纯爱战士啊，bgm好听 （夏油杰骂骂咧咧推出直播间：（乙骨）你个骗女人的东西！！！
La defense 的ugc...全是1718岁的小孩。我们仨坐在中间跟着看一包劲。和第一季比差很多。安慰自己是去看情怀的。
《纯 爱 战 神》 狗卷学长我永远爱你呜呜呜
感情戏不擅长，动作戏不出彩，整个还是在用小荧幕的节奏拍大银幕的故事。
甚至看见青涩的夏油都有些难过是怎么回事啊喂！
5t5：不是我，是我的好朋友捡到的，唯一的一个。(虽然走了不同的路但依然放不下你只有我才能杀死你(´ε｀ )♡
很好的动画化了漫画的原剧情，但不能算是一部好电影。
虽然但是...里香成佛了，但是之后正片又出场了，怎么解释？
90分钟观感其实还不错，但仔细一想细思极恐。一个女孩子和一个男孩子相遇，11岁主动白给求婚跟他绑定自己的人生，然后6年之内彻底沦为男性的附属物，之后解脱竟是因为男性要自我牺牲，还说出“这六年比活着更开心”这种话。不知道漫画怎么样，但剧场版我看到的就是一个彻头彻尾的物化女孩，完全嗑不起来。
觉得很一般呀，讲的应该是TV版前面的剧情吧。很老套的剧情，『五条悟』近乎没什么存在感……
前面难看出声，不愧是独眼猫一贯的尴尬煽情。后面没有怀玉篇支撑其实也很让人摸不着头脑。最后五条悟笑着看理香消失简直让人无语哈哈。隔壁大哥全场沉浸式看剧，可谓是相当投入，我在边上一脸冷漠有点大煞风景。忧太和碇真嗣相当适配，里面看到eva差点笑死。一般吧，能看
节奏把握的好，再俗套也能满足电影的第一需求娱乐！
除了觉得乙骨忧太的颜合我口味好像没有其他感觉 还有他台词太炫了。
1、五条悟最后到底说了什么 2、“真是失礼，我们可是纯爱啊”名场面 3、怀疑五条悟有海胆收集癖 4、夏油杰那句你的心更狠，总觉得有深意啊
干脆叫真希波同学吧，很平稳，剧情也没啥复杂的
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