James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
关于人体克隆的科幻影视中，这个是非常独特的好的创意了！
不要哭，越是难过的时候，就要笑出来，真好呀！ 剧情虽然不现实，但是里面的人都好善良，满治愈的……十元笑起来这的很好看呢？
其实从中间开始就猜到结局了 但是真的看到结局部分的时候眼泪还是哗哗流
另外森宫和优子这对父女演的也不错！最后婚礼太好哭了。永野芽郁哭戏赛高。
十元女士很美，就是演技痕迹有点重，咩太美了
上一季《勿言推理》里主角还在真心发问“为啥婚礼上女儿出嫁要爸爸陪着走，继而交接给丈夫？”这不三个爸爸就都来交接了………永野芽郁真的太好看了～
越看到后面越低分
还是拍得很还原小说的，电影画面呈现出来的效果比文字更让人感动。森宫爸爸真的好亚撒西的一个人🥲🥲小嘤也超可爱
我老婆说“永野芽郁的婚纱好美”
十元的演技非常奇怪，让人爱不起来，甚至觉得有点贱
承认主要看脸，故事线发展到一半，我都觉得凌乱…
算是近期模仿怪浪潮的电影中比较到位的，概念也比前作有趣，但概念本身太粗糙了。
为了咩酱看 但是真的不懂这电影的意义在哪里 为了感动而感动
大概是有永野芽郁傻白甜PTSD了，最近都不想看到她演的剧了......（ハコヅメ要不是有Toda，可能也一集弃了
像看了一集《黑镜》。概念还行，但撑不起一部电影的时长。@Sundance2022
可能和我三观太不符合吧
复制也是生命的繁衍，基因的存续…何不为人口老龄化／负增长的一种解决方案…
剧情有些离谱，其他都挺不错。梨花女士最后的笑真的好心酸
如果不是咩酱和十元太美我真不知道怎么看下来的…
剧情有点扯，但好好哭，哭得脑袋疼。永野芽郁好好真的好好看，哭戏好绝
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