The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
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各国观众发言时我真的是狂哭……太懂这种被救赎被点亮的心情
早就应该结束了，这次是自我摧毁，就像参加了一场葬礼，早就应该结束的葬礼。
看着老人家被迫营业，有点伤感
现实太惨淡了，依然要这么残忍地穿插年轻的高光，梦醒如Jennifer脱口而出的"of course we were on a break"，如果FRIENDS是种精神，现在只能在Joey的三明治店里找到。
没有人觉得庵野秀明长得像郭帆吗？科幻导演的标配脸。
想当初三天还是四天，不眠不休的看完了十季。然后在去往爱丁堡的路途睡得昏天黑地，然后和朋友从此开始了我们的老友记 &网易未删减
不是人类的补完，而是个人的补完，所有主角的补完，也是庵野秀明的补完，那些所谓的大人，都是小孩，而小孩终于成长为大人了。终于知道为什么要做那么久了，这里包含庵野秀明所有想说的真心话，不是像之前一样对世界，而是对自己。人呐，真的是又脆弱又坚强。不会有EVA了，在2021我们和他好好告别。
Documentary
They were my friends when I didn’t really have any.
父さんに、ありがとう。母さんに、さようなら。そして、全ての子供達に、おめでとう。
They were my friends when I didn’t really have any.
结局可谓圆满，但我还是选 tv26+旧剧场版+retake。四部连看，明显感受到机体巨大感的逐渐消失。
One sentence to pitch: we all had times when friends are family.
也许我只是看了几集，所以缺少能产生过往的美好回忆。
每个人都成长为了大人，每个人都把自己对他人想说的话说了出来，也都学会了去爱这个新的世界.
我们怀念的其实是自己，那些永不再来的聚散离合、悲喜年华。
什么圆神被夺走的刻印无限月读死亡搁浅 到底是看了什么屌东西？？？我脸上。。。怎么有股说谎的味道。。。谢谢你 utada
很标准的纪录片的套路，而且是满满的套路。整个剧集的塑料感太强了，几个主演之间的关系其实很微妙，但是为了维持一个表面的和谐，大家都崩着。看完之后觉得好尴尬。
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