The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
跟我们拍的差别好大，都说了我就不说了。口音好怪，伦敦郊区的吗。居然有人喜欢护工这个照顾病人甚至失能重病人的职业。
when did our lives stop being worth the same?
we need someone to unveil the overlooked.
把镜头放小一点，对人的打动就会更大一点。中国医生，你看到了吗
ZF在干嘛 我也不知道 我只知道 我们是人 我们会焦虑 会恐慌 或许人家是空白的防控 而我们是矫枉过正
早就受够了伟光正那一套，像援助这种少一点套路的多好
看到片尾的字幕，会对这种作品充满敬意，期待有朝一日我们也可以用电影来改变社会
上海解封了。Is it getting better or just stay the same?
高潮那段长镜头绝了，就是结局飞越养老院转折有点生硬。
片尾怼脸特写质问zf非常有张力、过渡也很自然
谁来管底层人们呢，谁去为那些露宿街头的人难过，基础保障太提现一个国家的治理水平了。朱迪就是那个无助的人，演技无声无息地侵入角色本体，封神了。
我们总要记录一些真实，而非一味地歌功颂德。
拍得不伦不类，多少有点自以为是了，结尾再扣一星，但立意是好的。“兔子”永远保有着一些敏感点，却永远不会想要做一个脱敏手术。这部电影于我而言是场糟糕的脱敏手术，但至少是种态度。
Comer演技真好，经得起特写近景
这个是疫情以来第一部歪果仁有戴口罩的影视作品，这觉悟来来来，莎拉你会长命百岁的。
Sarah最后在警车里对着镜头的含泪控诉，是每一个底层小人物心里的呐喊
还说 Jodie Comer这口音学着得多难啊，刚一看，原来就是正经的利物浦人。
女主勇敢、无助时的几段表演很不错。
太真实了 压抑心碎 jodie comer那段戏真好…
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