After the Great Earthquake in Northeastern Japan, Mitsuo is sent to a mental hospital from the strain of grief from working to clear out the debris of the disaster. When he is released 3 years later, he feels a moment of happiness as he is welcomed back by his brother Yuta, his wife Yoko, their first daughter Chie, and their second daughter Itsuki, who has a down syndrome.The next day, Chie wishes to go to the amusement park, and Mitsuo takes Chie and Itsuki there. But these happy moments don't last long, and the incident happens at the park. Chie dropped Itsuki on the concrete when Mitsuo took his eyes off of them. Yoko cannot accept Itsuki's death, madly questions Chie and Mitsuo. In this pressure, Chie lies that "Uncle Mitsuo dropped Itsuki." As Yoko goes through a mental breakdown from the shock. Becoming full with regret day by day, Yoko accuses Yuta and questions if he felt relieved that Itsuki died. Hearing this fight between her parents, Chie's heart was also slowly being ...
同性恋男女的形婚生活，先是为了父母，后是为了领养孩子。
当然 放歌跳舞 MV这种固定节目，说实话还是有些拉胯。坏的方面国内电影疯狂向宝莱坞靠拢
啊啊啊啊啊那个rim那个演员好喜欢好喜欢好喜欢姐姐超市我
从《喜宴》到《祝贺》，有些地方在倒退，有些地方在前进。生而不同，我们都没有罪。影片的议题对于东亚南亚地区来说极具意义，这世界有人在不断奋战，为了伟大的自由，为了伟大的我们。
以及男女主和各自伴侣相遇时候的那个cp感，三哥好会拍😇
为什么连印度都可以拍，中国不行（导演八成是个gay，gay选的很有feel，但les化学反应不太行（电影3🌟，给主题加一🌟
有同志主题又娱乐，虽然全片连一个亲吻都没有，也仍踏不出传统印度片的框框……但对今时今日的印度来说，已算是美好的展望了。
感觉印度拍同性恋情都比拍异性恋情更大胆，最后没有狗血与和稀泥真的不错，看的过程中我一直以为他们最后会去做人工授精呢。
有同志主题又娱乐，虽然全片连一个亲吻都没有，也仍踏不出传统印度片的框框……但对今时今日的印度来说，已算是美好的展望了。
能拍能映讲述形婚搭伙过日子的电影 就离不用形婚搭伙过日子的社会更近了一小步
本身能拍出这个题材的电影就非常优秀了
前面嘻嘻哈哈还挺喜庆，后面两人出柜挺感人的
3.5；这一部比20年的《真雄起》更走心。
电影本身有趣、温馨。电影的意义是：那里有希望。
天作孽，犹可恕；自作孽。不可活
上一部还在为同性平权而斗争，这一部已经开始讲起来了同性恋领养孩子/印度电影，可以的
喜剧成分不少，镜头很美，剧情比真雄起有了些许深度
尽管剧情拖拖拉拉但我想给5⭐
开心时就要大声笑，吃东西的时候就要大口吃，吃的胖胖的。
印度的同志电影越来越进步了，才两三年都已经有同志婚姻题材的电影，剧情再紧凑一些，人物塑造再丰富些就更好了。
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