Society sleuths Nick and Nora Charles investigate a murder aboard a floating casino.
Nick and Nora Charles are attending a charity benefit aboard a gambling ship.
After a murder occurs, suspicion falls on Phil Brant, who had argued with the victim earlier in the evening.
When Phil and his wife seek help from Nick and Nora, Nick refuses to get involved.
But when shots are fired outside his own apartment, Nick begins to investigate, and he soon finds himself in a confusing case with numerous suspects.
Nick and Nora Charles were the ultimate screen couple, husband and wife detectives, always in step and never missing an opportunity to outwit one another as they solved each crime, which they did just in time for the movie's ending.
Myrna Loy was a fantastic Nora, the ideal wife and considering she made 14 movies with William Powell, she made it look like they were really married.
The Thin Man movies, all six of them, played more like sophisticated screwball comedies than murder mysteries, and their comic banter enhanced the proceedings.
Their little wire-haired terrier, Asta, quite often stole the scene as he helped sleuth out the guilty party.
He was a great little actor and rumor had it that away from the Thin Man movies, Asta was really Skippy.
However, the six Thin Man movies credit this cute pooch as "Asta."
朋友来了有好酒，若是那豺狼来了 迎接它的有猎枪！
两个字：燃，炸！
怎么讲呢，我个人还是喜欢徐克的志怪电影，西游宇宙或者狄仁杰宇宙都ok，体现他磅礴的想象力，而从智取威虎山开始，他似乎就开始转型了，而且相当成功，想象力变得更厉害了。
三炸水门桥，后来还是让美军逃跑了，好可惜！看着让人心疼。
却即使去死也未必保护周全的感觉
千里万里赴戎机。千里死了还温暖弟弟、七连最后报数时，哭的一塌糊涂。音乐有煽情的成分，剧情比《长津湖》夸张，真实性不知道有几分，有些场景我看了都觉得场面残忍，真不适合带太小的孩子观看。
朋友来了有好酒，若是那豺狼来了 迎接它的有猎枪！
节奏很好，年纪大了爱看战争片了
还行吧，一代人的苦与泪造就了下一代人的平安与繁荣富强。在这里吴京的主角光环终于得到了全方位的展示。
不说别的，至少没打起来前、两场战争中间过程中还是描述下当前情况之类的吧，现在看下来整部片子两个半小时，就是打仗死人，我连水门桥都没看清楚到底啥样，也没说有啥用，就知道了炸桥，失败了，继续上去炸。
比第一部要流畅。从单纯的战争动作片角度是不错的。煽情可以更克制一点。
热血男儿离故乡，冰天雪地端步枪。以弱胜强炸大桥，逼走美军保家乡。
徐克，拍得多少有点玄幻了…到英雄连旗帜的地方结束可能更好一些。
前面有点闷，但从炸桥开始就好看了。
情节全程围绕“三炸水门桥”战斗。换成徐克一人挑大梁之后，视觉风格统一了，回乡一段的色彩与上集比简直像麻辣烫变成腌笃鲜。再没有旁逸斜出的各种支线，枪战场面处理得与林超贤各有千秋，远近冷热各种兵器错落有致。不喜欢的人可能觉得单调，我倒是很享受这种打满两小时的老动作片风格。“第七穿插连应到157人，实到一人”高燃了。
所以感觉的不是恐惧与无奈
没有冻不死的英雄，也没有打不死的英雄，只有军人的荣耀！
每个重要角色死亡之际的华彩描绘，一位又一位英雄的英勇就义，总有一幕能集中你内心柔软的地方，让你破防。而七连唯一生还的战士的背影，同样令人心疼。
只为了记住革命先辈为了我们现在幸福安稳的生活付出了多少
“报道七连应到一百五十七人，实到一人。”这一句实在是破防了，我们打小总能听到战剩一兵一卒,当你亲眼目睹整件战斗事件的发生.最后一这一句话实在是整部片的画龙点睛.这一次足够惨烈,足够苦...这次由徐克挂帅,另外两导演做监制,风格几乎做到统一,从上一部宏观的长津湖战役,到这部聚焦"连部级"的战斗,两个小时的叙事足够详细去单独叙事三炸水门桥的来龙去脉.印象最深刻应该是炸坦克那段了足够残忍和真实,但是总感觉依然内容仍然有些许的空洞,还是有很多地方感觉比起上一部更为刻意煽情,让人感到不适.好像我们的战争片总是逃不过这种意识形态的...还有钢七连的单兵作战能力感觉有些强得不太现实,历史上抗美援朝的一个美国人换七个中国人的伤亡比例,感觉"水门桥"的陆战一师刻画出来的敌人感觉好像小学生一样.我们的战士作战能力有些强得离谱..
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